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Art & Design 12,3-4, 1997. iii, 92 S. = Art & animation. Guest ed.: Paul Wells.
London: Academic Ed., 1997.
= Art & design. Profile. 53.
Art History 18,1, 1995, 148 S. = Cartoon, caricature, animation. Ed.: Marcia Pointon.
Inhalt: Why the Atom is our Friend: Disney, General Dynamics and the USS Nautilus – 'In Betweening': An Interview with Irene Kotlarz – Corbel Grotesques on a Northampton Church – Carnal Satire and the Constitutional King: James Gillray's Representation of King – George III in Monstrous Craws at a New Coalition Feast (1787) – The Wolf and the Lamb: An Image and its Afterlife.
CinémAction, 51, Avril 1989, 256 S. = Le cinéma d'animation. [Édité par] Pascal Vimenet et Michel Roudévitch. Préface de Giannalberto Bendazzi.
Condé-sur-Noireau: Corlet / [Paris]: Télérama 1989.
CinémAction, 123, 2007, 246 S. = CinémAnimationS. Dir. par Pierre Floquet.
Filmkunst Zeitschrift für Filmkultur und Filmwissenschaft, 139, 1993 = Animationsfilm in Österreich (Wien: ÖGVKM 1993).
IEEE Computer Graphics And Applications 5,7, 1985, S. 31-86 = Art and animation. Ed. by T. Defanti & C. Csuri.
Japan Forum 14,2 (Sept. 2002), S. 183-367.
Themenheft über japanische Anime-Kultur.
The Journal of the Imaginary and Fantastic 1,2, 2009: The Films of Hayao Miyazaki.
Themenheft. Das Journal ist „a free full-text 'overlay' ejournal, making a creative intervention into academic publishing in the arts & humanities."
Online: http://www.jurn.org/ejournal/vol1-no2.html.
Maske und Kothurn 56,4, 2010, 120 S. = Techniken der Metamorphose. Positionen zum Animationsfilm. Hrsg.ßvon Franziska Bruckner, Melanie Letschnig u. Georg Vogt.
Wien/Köln/Weimar: Böhlau 2010.

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