Zum Ende der Metadaten springen
Zum Anfang der Metadaten

Einzelne Autoren des Animationsfilms

  • Giesen, Rolf: Special effects artists: A worldwide biographical dictionary of the pre-digital era with a filmography. Jefferson, N.C.: McFarland 2008, vii, 256 S.
  • Halas, John: Masters of animation. London: BBC Books 1987, 136 S.
    Auch: Topsfield, Mass.: Salem House 1987.
  • Jackson, Kathy Merlock (ed.): Walt Disney: Conversations. Jackson: University Press of Mississippi 2006, xxvii, 143 S. (Conversations with comic artists series.).
  • Walther, Hans / Postema, Paul (eds.): Geanimeerde gesprekken. Interviews met animatiefilmers. Tilburg: Nederlands Instituut voor Animatiefilm 2006, 294 S.

Alexeieff, Alexandre

  • Bendazzi, Giannalberto (sous la direction de): Alexeieff. itinéraire d'un maître. Annecy: Centre international du cinéma d'animation 2001, 318 S.

Avery, Tex

  • Adamson, Joe: Tex Avery, king of cartoons. New York: Popular Library 1975, 237 S. (The Big apple film series.).
    Repr.: New York: Da Capo Press 1985.
  • Benayoun, Robert: Le mystère Tex Avery. Paris: Editions du Seuil 1988, 120 S. ((Points. Virgule. 57.).
  • Brion, Patrick: Tex Avery (1908-1980). Dessins, croquis, études. Documents réunis et présentés par Patrick Brion. Paris: Nathan 1988, unpag. (Nathan image.).
  • Brion, Patrick [...]: Tex Avery. Paris: Chêne 1984, 173 S. (Coll. Cinéma de toujours.).
    Dt.: Tex Avery. Herrsching: Schuler 1986, 175 S.
  • Canemaker, John. Tex Avery: The MGM years, 1942-1955. Atlanta/Kansas City, Mo.: Turner Pub. [distributed by Andrews and McMeel] 1996.
    Repr.: North Dighton, Ma.: JG Press 1998, 208 S.
  • Duchêne, Alain: Tex Avery, à faire hurler les loups! Paris: Dreamland 1997, 167 S. (Coll. Image par image pocket. 4.).
  • Duguet, Marion: Psychopathologie de l'image archaïque du corps. Corps et archaïque dans les dessins animés de Tex Avery. Thèse d'exercise, Université du droit et de la santé (Lille 2). Université de soutenance, Médecine 2006, 103 S.
  • Esquenazi, Jean-Pierre: Configurations d'espace-temps dans "Cock-a-doodle dog" de Tex Avery. Thèse, Mémoire de DERCAV, Études et recherche cinématographiques et audiovisuelles, Paris 3 1989, 115 Bl.
  • Fadda, Michele / Liberti, Fabrizio (a cura di): What's up, Tex? Il cinema di Tex Avery. Torino: Lindau 1998, 56 S.
    Published on the occasion of a film retrospective held during the Bergamo Film Meeting, March 14-22, 1998, the 16th "mostra internazionale del cinema d'essai".
  • Floquet, Pierre: Le langage comique de Tex Avery. Dix années de création à la MGM, 1942-1951. Paris: Harmattan 2009, 311 S. (Collection "Cinémas d'animations".).
  • Forstmann, Elisabeth: Figuration et désir dans le cinéma de Tex Avery. Thèse: Mémoire de Maîtrise, Etudes cinématographiques (DERCAV), Paris III 2000, 177 S.
  • Gourbeille-Deleuil, Patricia: Le cinéma d'animation de Tex Avery, (1908-1980). De la technique à la thématique. Thèse Doctorat, Linguistique, Langue et Discours, Lyon III 1993, 496 Bl.
  • Lambert, Pierre: Tex Avery. L'Art de Tex Avery au studio MGM. [S.l.]: Démons et Merveilles 1993, 224 S.
  • Lenburg, Jeff: Tex Avery. Hollywood's master of screwball cartoons. New York: Chelsea House / London: Eurospan [distributor] 2011, 125 S. ( Legends of animation.).
    Inhalt: The birth of a cartoon revolutionary – Unleashing the lunacy at Warner Bros. – Plain Daffy – Falling off a cartoon cliff – Roaring back at MGM – Screwball with a purpose – One last splash of buffoonery.
  • Maillet, Sandrine: Le comique et l'érotisme chez Tex Avery. Thèse, Mémoire de Maîtrise, Etudes théâtrales, Paris III 1992, 78 Bl.
  • Michel, Henri: Sphère orale et denture dans les dessins animés de Tex Avery. Thèse, Lille: Université de soutenance 2002, 94 Bl.
  • Place-Verghnes, Floriane: Tex Avery - a unique legacy (1942-1955). Eastleigh: Libbey 2006, viii, 214 S.
  • Tex Avery - la folie du cartoon. Enghien: Artefact 1980, 112 S. (Fantasmagorie. 1.).
    Dossier consacré au réalisateur de dessins animés Tex Avery : bio-filmographie, films, propos, photogrammes de "Lonesome Lenny", tableau synoptique : Tex Avery en son temps. Nombreuses illustrations extraites des films de Tex Avery.

Barbera, Joseph

  • Barbera, Joseph: My life in 'toons: From Flatbush to Bedrock in under a century. Atlanta, GA/Kansas City, Mo.: Turner Pub., distrib. by Andrews and McMeel 1994, 250 S.
  • Brion, Patrick: Tom et Jerry. Paris: Chêne 1987, 176 S. (Cinéma de toujours.).
  • Hanna, William / Barbera, Joseph: Familie Feuerstein + Co. Die tollsten Fernseh-Comics mit Familie Feuerstein & Co., Barney, Yogi Bär, dem Superkater und vielen anderen lustigen Trickfilm-Comic-Stars! Bad Vilbel: Condor-Verlag 1981, 192 S. Condor-Super-Pocket. 1.).
  • Lenburg, Jeff: William Hanna and Joseph Barbera - the sultans of Saturday morning. New York: Chelsea House / London : Eurospan 2011, 167 S. (Legends of animation.).
    Inhalt: The accidental artist – The incessant doodler and dreamer – Chasing their cartoon dreams – Fathering filmdom's most famous cat and mouse – Blazing a new path – Conquering prime-time with America's favorite prehistoric family – Changing the face of Saturday morning television – New beginnings.
  • Mallory, Michael: Hanna-Barbera cartoons. London: Virgin 1999, 239 S.
  • Sennett, Ted / Hanna, William: The art of Hanna-Barbera. Fifty years of creativity. New York, NY: Viking Penguin 1989, xiv, 270 S. (Viking studio books.).

Blackton, Stuart

  • Trimble, Marian Blackton: J. Stuart Blackton: A personal biography by his daughter. Metuchen, N.J. Scarecrow Press, 1985, viii, 210 S. ( Filmmakers no. 7.).

Blair, Mary

  • Canemaker, John: The art and flair of Mary Blair: An appreciation. New York: Disney Editions 2003, xiii, 110 S.
  • Kiburi, Sutajio (cur.): The colors of Mary Blair. / Mearī burea ten. [Katalog zu einer Ausstellung, 18.7.-4.10.2009.] Tōkyō: Nihonterebihōsōmō 2009, 302 S.
    Text in japan. und engl.

Bluth, Don

  • Bluth, Don: Don Bluth's the art of animation drawing. Milwaukie, Oreg.: DH 2005, 112 S.
  • Cawley, John: The animated films of Don Bluth. New York: Image Publishing 1991, 156 S.

Bozzetto, Bruno

  • Bendazzi, Giannalberto / de Berti, Raffaele (a cura di): La fabbrica dell'animazione Bruno Bozzetto nell'industria culturale italiana. Milano: Il castoro, 2003, 168 S., 8 Taf. (Quaderni Fondazione Cineteca Italiana.).
  • Boscarino, Antonio Vincenzo: L'estetica di Bruno Bozzetto. Teoria e prassi tra movimento e spettacolo. Roma: Bulzoni 2002, 190 S.(Biblioteca di cultura. 640.).

Cohl, Emile

  • Chefs-d'oevre du muet, 1895-1930. Léonce Perret. Émile Cohl. Joinville-Le-Pont: [Cinemathèque Gaumont] [1990], 12 S.
  • Crafton, Donald: Emile Cohl, caricature, and film. Princeton. NJ: Princeton University Press 1990, xvi, 404 S.
    Basierend auf Craftons Dissertation: Emile Cohl and the origins of the animated film. Ph.D. Thesis, Yale University 1977.
  • Cosandey, Roland / Montanaro, Carlo: Les beaux-arts mystérieux. Catalogue descriptif de l'oeuvre préservée d'Emile Cohl, à l'occasion de la rétrospective Emile Cohl prés. par Le Giornate del Cinema Muto. Pordenone: Le Giornate del Cinema Muto 1990, 83 S.
  • Courtet-Cohl, Pierre / Gérin, Bernard: Émile Cohl, l'inventeur du dessin animé. Émile Cohl, l'agitateur aux mille images. Sophia-Antipolis: Omniscience 2008, 165 S., 2 DVD.
    Auch u.d.T.: Émile Cohl. L'Inventeur du dessin animé. [Multimedia multisupport] Préface de Isao Takahata. Sophia-Antipolis: Omniscience 2008, 167 S., 2 DVDs.
  • d'Allemagne, Henry René / Lemaire, Eugène: Émile Cohl (Émile Courtet): Créateur du dessin animé sur pellicule cinématographique. Paris: Société d'Encouragement pour l'Industrie Nationale 1937.
    Separatdruck aus: Socieété d'Encouragement pour l'Industrie National, Paris. Bulletin, mars-avril 1937, S. 113-116, 151-175.
  • Fontane, Charles: Un maître de la caricature, And. Gill, 1840-1885. Préface de C. Léandre, lettre d'Émile Cohl. Paris: Éditions de l'Ibis [1927].
  • Maillet, Raymond: Émile Cohl cinématographiste, 1857-1938. Exposition commémorant le 50e anniversaire de la mort d'Émile Cohl, pionnier du cinéma d'animation français, du 2 novembre au 11 décembre 1988. Montréal: Cinémathèque québécoise 1988, 26 S.
  • Vignaux, Valérie (sous la dir. de): Émile Cohl. Avec la collaboration de Pierre Courtet-Cohl. Paris: Association française de recherche sur l'histoire du cinéma 2008, 359 S. (1895. 53.).
    Online: http://1895.revues.org/2163.
  • Vimenet, Pascal (coord.): Emile Cohl. Textes de Mario de Blois, Catherine Charpin, Pierre Courtet-Cohl [...]. Annecy : Editions de l'oeil / Musée-château d'Annecy 2008, 264 S. (Les animés.).

Cristiani, Quirino

  • Bendazzi, Giannalberto: Due volte l'oceano. Vita di Quirino Cristiani pioniere del cinema d'animazione. Firenze: La Casa Usher 1983, 138 S. (Saggi. 13.).
    Span.: Quirino Cristiani, pionero del cine de animación. Dos veces el océano. Buenos Aires: Ediciones de la Flor 2008, 191 S. (Colección Personas.).
  • Bendazzi, Giannalberto: L'uomo che anticipò Disney. Il cinema d'animazione di Quirino Cristiani. Con uno scritto di John Halas. Latina: Tunué 2007, viii, 127 S. (Lapilli. 11.).

Diehl, Paul / Diehl, Ferdinand / Diehl, Hermann

  • Dietrich, Daniela (Red.): Mecki - Märchen & Schnurren. Die Puppenfilme der Gebrüder Diehl. Ausstellung - Retrospektive, Deutsches Filmmuseum, 19. November 1994 bis 15. Januar 1995. Deutsches Filmmuseum in Zsarb. mit der Adolf und Luisa Haeuser-Stiftung für Kunst und Denkmalpfleg. Frankfurt: Deutsches Filmmuseum 1994, 144 S.
    Schreiber, Justina: Der Wettlauf zwischen dem Hasen und dem Igel. Die Märchenfilme der Gebrüder Diehl in den 30er Jahren. München: Bayerischer Rundfunk 1994, 13 S. (Bayern - Land und Leute.).

Disney, Walt

  • Bibliographie:
    Merlock Jackson, Kathy: Walt Disney. A bio-bibliography. Westport, Conn. [...]: Greenwood Press 1993, xi, 347 S. (Popular culture bio-bibliographies.).
  • Lexikon:_Smith, Dave: _The Official Encyclopedia – Disney A to Z. New York, NY: Hyperion 1996, vi, 564 S.
    Erw. Neuausg.: Disney A to Z - the updated official encyclopedia. New York: Hyperion 1998, vi, 633, [16] S.
  • Allan, Robin: Walt Disney and Europe: European influences on the animated feature films of Walt Disney. London; Bloomington: John Libbe / Indiana University Press 1999, xvi, 48, 304 S.
  • Amidi, Amid: Cartoon Modern: Style and Design in Fifties Animation. San Francisco: Chronicle Books 2006, 200 S.
    Between the classic films of Walt Disney in the 1940s and the televised cartoon revolution of the 1960s was a critical period in the history of animation. Amid Amidi, of the influential Animation Blast magazine and CartoonBrew blog, charts the evolution of the modern style in animation, which largely discarded the 'lifelike' aesthetic for a more graphic and often abstract approach. Abundantly found in commercials, industrial and educational films, fair and expo infotainment, and more, this quickly popular cartoon modernism shared much with the painting and graphic design movements of the era. Showcasing hundreds of rare and forgotten sketches, model boards, cels, and film stills, Cartoon Modern is a thoroughly researched, eye-popping, and delightful account of a vital decade of animation design.
  • Barrier, J. Michael: The animated man. A life of Walt Disney. Berkeley, Cal. [...]: University of California Press 2007, xviii, 393, [16] S.
    Inhalt: Introduction : "It's all me" – "The pet in the family" : on the farm and in the city, 1901-1923 – "A cute idea" : the self-taught filmmaker, 1923-1928 – "You've got to really be Minnie" : building a better mouse, 1928-1933 – "This character was a live person" : the leap to feature films, 1934-1938 – "A drawing factory" : ambition's price, 1938-1941 – "A queer, quick, delightful gink" : on a treadmill, 1941-1947 – "Caprices and spurts of childishness" : escaping from animation, 1947-1953 – "He was interested in something else" : escaping from film, 1953-1959 – "This is where I am happy" : restless in the Magic Kingdom, 1959-1965 – "He drove himself right up to the end" : dreaming of a nightmare city, 1965-1966 – Afterword: "Let's never not be a silly company".
  • Bell, Elizabeth / Haas, Lynda / Sells, Laura (eds.): From mouse to mermaid: The politics of film, gender, and culture. Bloomington: Indiana University Press 1995, xi, 264 S.
  • Benayoun, Robert: Le dessin animé après Walt Disney. Paris: J.-J. Pauvert 1961, 173 S.
  • Byrne, Eleanor / McQuillan, Martin: Deconstructing Disney. London: Pluto Press 1999, vii, 209 S.
  • Canemaker, John: Paper dreams. The art & artists of Disney storyboards. New York: Hyperion 1999, xiv, 272 S.
  • Canemaker, John: Walt Disney's nine old men and the art of animation. New York: Disney Editions / London: Turnaround 2001, viii, 308 S.
  • Davis, Amy M.: Good girls and wicked witches. Women in Disney's feature animation. Eastleigh [...]: John Libbey 2006, vi, 274 S.
    Über das Frauenbild in Disney-Filmen, 1937-2004.
    Re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form – the heroine of the animated film – that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found.
    Rev. (Karen Hollinger) in: American Studies 48,2, Summer 2007, S. 75-76.
  • Finch, Christopher: The art of Walt Disney; from Mickey Mouse to the Magic Kingdoms. New York: Abrams 1973, 458 S.
    Repr.: New York: Abradale Press 1983.
    Rev. and expanded ed. New York: Abrams 2004.
    Dt.: Walt Disney - sein Leben - seine Kunst. Übers.: Renate Witting. Stuttgart: Ehapa-Verlag 1984, 457 S.
    Kurzausgabe: New concise ed. New York: Abrams [1975], 160 S.
    Holl. Ausg.: Walt Disney. Van Mickey Mouse tot Disneyland. Vert. uit het Amerikaans door Ron Kaal. Red. H. J. Scheepmaker. Amsterdam: Landshoff 1975, 160 S.
  • Finch, Christopher: Walt Disney's America. New York: Abbeville Press 1978, 301 S.
  • Giroux, Henry Armand: The mouse that roared: Disney and the end of innocence. Lanham, Md.: Rowman & Littlefield 1999, 186 S. ( Culture and education series.).
  • Girveau, Bruno (éd.): Il était une fois Walt Disney, aux sources de l'art des studios Disney. [Katalog einer Ausstellung, Galeries nationales du Grand Palais, Septembre 16, 2006 - January 15, 2007, Paris.] Paris: Éditions de la Réunion des musées nationaux 2006, 355 S.
    Engl.: Once upon a time, Walt Disney. The sources of inspiration for the Disney Studios. München 2007, 353 S.
  • Girveau, Bruno (Hrsg.): Walt Disneys wunderbare Welt und ihre Wurzeln in der europäischen Kunst. [Anlässlich der Ausstellung „Walt Disneys Wunderbare Welt und Ihre Wurzeln in der Europäischen Kunst", Kunsthalle der Hypo- Kulturstiftung, München, 19. September 2008 - 25. Januar 2009.] München: Hirmer 2008, 302 S.
  • Goodman, Marilyn J.S. / Lotman, Jeffrey: A salute to Walt Disney animation art: The early years: 1928-1942. [Exhibition at the Philadelphia Art Alliance, September 8-November 3, 1990.] Philadelphia: The Philadelphia Art Alliance 1990, 40 S.
  • Grant, John: Encyclopedia of Walt Disney's animated characters. New York: Harper & Row 1987, 320 S.
  • Griffin, Sean: Tinker Belles and evil queens: The Walt Disney Company from the inside out. New York: New York University Press 2000, xxiii, 292 S.
    U.a. über Darstellungen der Homosexualität.
  • Grover, Ron: The Disney touch: How a daring management team revived an entertainment empire. Homewood, IL: Business One Irwin, 1991, xix, 315 S.
    Rev. ed.: The Disney touch: Disney. ABC & the quest for the world's greatest media empire. Chicago: Irwin Professional Pub. 1997, xxv, 334 S.
    Dt.: Die Disney-Story. "Wie Micky Mäuse macht". Frankfurt/Berlin: Ullstein 1992, 416 S.
  • Hischak, Thomas S. / Robinson, Mark A.: The Disney song encyclopedia. Lanham, Md.: Scarecrow Press 2009, xvii, 349 S.
  • Lambert, Pierre: Walt Disney: L'âge d'or. Rozay-en-Brie: Démons & Merveilles 2006, 296 S.
  • Maltin, Leonard: The Disney films. London: Nelson 1973, 8, 312 S.
    New, updated ed., 1. rev. ed. New York: Crown 1984, viii, 343 S.
    3. ed. New York, NY: Hyperion 1995, x, 384 S.
    4th ed. New York: Disney Editions, 2000.
  • Maltin, Leonard (ed.): The Disney poster book. Featuring the collection of Tony Anselmo. New York: Disney ed. 2002, 96 S. (A Welcome book.)
  • Merritt, Russell / Kaufman, J.B.: Nel paese delle meraviglie: I cartoni animati muti di Walt Disney. / Walt in wonderland: the silent films of Walt Disney. Transl.: Piera Patat. Pordenone: Edizioni Biblioteca dell'immagine 1992, 235 S.
    Engl.: Walt in Wonderland: The silent films of Walt Disney. Baltimore, Md. : Johns Hopkins University Press 1993, 164 S., 8 Taf.
    Rev. ed. Baltimore: Johns Hopkins University Press 2000.
  • Mosley, Leonard: The real Walt Disney. A biography. London [...]: Grafton 1985, xiii, 303 S., [16] Taf.
  • Mosley, Leonard: Disney's world: A biography. New York: Stein and Day 1985, 330, (24) S.
    Repr.: Chelsea, MI: Scarborough House 1990.
  • Müller-Falcke, Marius: The Walt Disney Company. Themenparks – Zeichentrick – Marketingstrategien; eine kulturwissenschaftliche Untersuchung der Einflussnahme des Konzerns, Trier: WVT 2008 (CD-ROM).
  • Pallant, Chris: Demystifying Disney. A history of animation. New York: Continuum 2011, 176 S.
  • Poncet, Marie-Thérèse: Le génie de Walt Disney: Un Walt Disney vivant. Voiron: M.-T. Poncet 1995, 271 S.
    Renaut, Christian: Les héroïnes Disney dans les longs métrages d'animation. Paris: Dreamland Éditeur 2000, 207 S.
  • Schickel, Richard: The Disney version. The life, times, art, and commerce of Walt Disney. New York: Simon and Schuster 1968,384 S.
    Auch: London: Weidenfeld & Nicolson 1968.
    Rev. and updated. ed. New York: Simon and Schuster 1985.
    3rd ed. Chicago: Ivan R. Dee 1997.
    Dt.: Disneys Welt. Zeit, Leben, Kunst und Kommerz des Walt Disney. Übers. von Christian Quatmann. Berlin: Kadmos-Verl. 1997, xviii, 301 S.
  • Smith, Dave / Clark, Steven: Disney - the first 100 years. New York: Hyperion 1999, viii, 197 S.
    Dt.: Disney - die ersten 100 Jahre. [Übers.: Klaus Strzyz. Red.: Alexandra Germann, Anna Mozer.] Berlin: Egmont-Ehapa-Verlag 2001, 197 S.
  • Smoodin, Eric Loren (ed.): Disney discourse. Producing the magic kingdom. New York [...]: Routledge 1994, x, 270 S. (AFI film readers.).
  • Susanin, Timothy S.: Walt before Mickey. Disney's early years, 1919-1928. Jackson: University Press of Mississippi 2011, xiii, 340 S., [9] Bl.
  • Thomas, Bob: Walt Disney, the art of animation. The story of the Disney Studio contribution to a new art. New York: Simon and Schuster 1958, 181 S.
    Dt.: Die Kunst des Zeichenfilms - Walt Disney. Aus d. Amerikan. übers. von Heinz Kotthaus u. Tatjana Wlassow. Sonderaufnahmen von Bob Willoughby. Hamburg: Blücher 1960, 187 S.
    Auch: [Gütersloh]: [Bertelsmann Lesering] 1960, 187 S.
  • Thomas, Bob: Walt Disney: An American original. New York: Simon and Schuster 1976, 379 S.
    Neuausg.: New York: Pocket Books 1980, xvii, 414 S.
    Dt.: Walt Disney. Die Original-Biographie. München: Ehapa-Buchverl. 1986, 374 S.
  • Thomas, Bob: Disney's Art of animation: From Mickey Mouse to „Beauty and the Beast". New York: Hyperion 1991, 209 S. (A Welcome book.).
    Repr.: New York, NY: Disney Ed. 1995, 575 S.
    Neuausg.: New York: Abbeville Press 1984, 382 S.
  • Thomas, Bob: Disney's Art of animation. From Mickey Mouse to „Hercules". 2nd ed. New York: Hyperion 1997, 224 S.
  • Thomas, Frank / Johnston, Ollie: Too funny for words: Disney's greatest sight gags. New York: Abbeville Press 1987, 223 S.
  • Thomas, Frank / Johnston, Ollie (eds.): The illusion of life: Disney animation. New York: Abbeville 1981, 575 S.
    Repr.: New York: Hyperion 1995, 575 S.
  • Tytla, Adrienne: Disney's giant and the Artist's Model. Deep River, Conn.: Valley Press 2005.
    Privatdruck; Bezugsquelle: East Lyme, Conn.: Peter Tytla. Scrapbook und Biografie Bill Tytlas; Seitenzahl nicht genau zu ermitteln; fast 1000 Seiten.
  • Walt Disney Productions (ed.): Treasures of Disney animation art. Preface by Robert E. Abrams. Introduction by John Canemaker. New York/London: Artabras 1982, 319 S.
  • Whitley, David S.: The idea of nature in Disney animation. Aldershot [...]: Ashgate 2008, 154 S. (Ashgate studies in childhood, 1700 to the present.).
    Inhalt: Fairy Tale Adaptations – Domesticating nature: Snow White and fairy tale adaptation - - Healing the rift: human and animal nature in The Little Mermaid and Beauty and the Beast – The North American Wilderness – Bambi and the idea of conservation – Wilderness and power: conflicts and contested values from Pocahontas to Brother Bear – Tropical Environments – The Jungle Book: nature and the politics of identity – Tropical discourse: unstable ecologies in Tarzan, The Lion King and Finding Nemo.
    Rev. (Zoe Jaques) in: The Lion and the Unicorn 33,3, Sept. 2009, S. 409-415.

Disney, Roy

  • Thomas, Bob: Building a company: Roy O. Disney and the creation of an entertainment empire. New York: Hyperion 1998, 359 S.

Eggeling, Viking

  • Hultén, Karl G. (red.): Apropå Eggeling. En samling korta uppsatser om film utgiven med anledning av avantgardefilmserien i Moderna Museet; Maj 1958. Södertälje:Bröd. Ljungström. Stockholm: Moderna Museet 1958, 38, ii S.
  • O'Konor, Louise: Viking Eggeling, 1880-1925. Artist and film-maker, life and work. Stockholm: Almqvist & Wiksell 1971, 299 S. (Acta Universitatis Stockholmiensis. / Stockholm studies in history of art. 23.).
    Auch schwed.: Viking Eggeling 1880-1925, modernist och filmpionjär: Hans liv och verk. Stockholm: Atlantis 2006.
    Zuerst als Diss., Universität Stockholm.
  • Víking Eggeling 1880-1925. Tecknare och filmkonstnär. [Katalog zu einer Ausstellung, Stockholm, 27 oktober-19 november.] Stockholm: nordisk Rotogravyr 1950, 29 S. (Nationalmusei utställningskatalog. 178.).
  • Zurhake, Monika: Filmische Realitätsaneignung. Ein. Beitrag zur Filmtheorie, mit Analysen von Filmen Viking Eggelings und Hans Richters. Heidelberg: Winter 1981, 451 S. (Reihe Siegen. 36.).

Fischerkoesen, Hans

  • Fischerkoesen, Hans M.: Experimentelle Werbeerfolgsprognose. Wiesbaden: Dr. Gabler 1967, 181 S.
  • Kellner, Joachim (Hrsg.): Hans Fischerkoesen. Werbewelten im Zeichentrick. Die besten Kinospots der 50er Jahre. Hrsg. Für das Deutsche Werbemuseum. Ingelheim am Rhein: Westermann 1996, 34 S.
    Booklet zur gleichnamigen DVD.

Fischinger, Oskar

  • Gehr, Herbert (Red.): Sound & Vision - Musikvideo und Filmkunst. Optische Poesie: Oskar Fischinger. Ausstellung/Retrospektive, 15.12.1993 bis 1.5.1994; Deutsches Filmmuseum, Frankfurt, in Zusammenarbeit mit dem Long Beach Museum of Art. Frankfurt: Deutsches Filmmuseum [1991], 24 S.
    Rez. (Frey, Martin) in: Filmkunst: Zeitschrift für Filmkultur und Filmwissenschaft, 144, 1994, S. 71-72.
  • Hoffmann, Hilmar [...] (Hrsg.): Optische Poesie: Oskar Fischinger - Leben und Werk. Ausstellung, Filme; 16. Dezember 1993 bis 3. April 1994, Deutsches Filmmuseum Frankfurt am Main. Frankfurt: Das Museum 1993, 111 S. (Kinematograph. 9.).
  • Long Beach Museum of Art (ed.). Bildmusik: Art of Oskar Fischinger. Long Beach, CA: The Museum 1970, unpag.
  • Moritz, William: Optical Poetry: The Life and Work of Oskar Fischinger. Bloomington, Ind. [...]: Indiana University Press 2004, x, 246 S.
    Zugl.: Eastleigh: John Libbey 2004.
    Oskar Fischinger is one of the greatest artists of the 20th century, embracing the abstraction that became the major art movement of that century, and exploring the new technology of the cinema to open abstract painting into a new Visual Music that performs in liquid time. If he is less well known than some of the other major artists, it is precisely because he was buffeted about by the wars, Nazism, the communist witch-hunts and other phenomena of his century.
    Inhalt: Introduction: Gelnhausen, Frankfurt and Munich /1 – Chapter 1 Berlin / 21 – Chapter 2 The Nazi Terror / 45 – Chapter 3 Hollywood / 67 – Chapter 4 Disney and Guggenheim / 89 – Chapter 5 Painting / 109 – Chapter 6 Oskar and Bach / 127 – Epilogue / 149 – Testimonials for Oskar Fischinger / 163 – Statements by Oskar Fischinger / 173 – True creation / 191 – Selected list of public and private collections of Fischinger artworks / 193 – Oskar Fischinger Filmography / 197 – Sources for Fischinger Films / 238 – Oskar Fischinger Bibliography / 239.
    Rev. (Kirsten Moana Thompson) in: Film Quarterly 59,1, Fall 2005, S. 65-66.
  • Moritz, William E. / Fischinger, Elfriede (Dokumentation): Oskar Fischinger und die Filmemacher der US-Westküste. Retrospektive und Querschnitt. Bearb. V. Herbert Graf. Bonn: Kulturabteilung der Amerikanischen Botschaft 1972, 14 S.
    Enthält eine Fischinger-Chronologie.
  • Rosenblum, Gordon: Oskar Fischinger, 1900-1967. Fischinger, a Retrospective of Paintings and Films. Curators: Gerald Nordland and Gordon Rosenblum. Denver, CO: Gallery 609, 1980.
  • Weinberg, Herman G.: Complete List of Films by Oskar Fischinger. New York: Museum of Modern Art n.d.
    Maschinenschriftl. Ms.

Fleischer, Max

  • Cabarga, Leslie: The Fleischer story. New York: Nostalgia Press 1976, 183 S.
  • Cabarga, Leslie: Betty Boop, Popeye et cie. L'Histoire des Fleischer. Enghien: Artefact 1980, 207 S. (Fantasmagorie. 3/4.).
  • Fleischer, Richard: Out of the inkwell: Max Fleischer and the animation revolution. Lexington, KY: University Press of Kentucky 2005, xi, 182 S., 8 Taf.
  • Langer, Mark (a cura di): Immaginaria 1: Cinema Max e Dave Fleischer, da "Ko-Ko the clown" a "Superman". [Katalog zu einer Ausstellung, Comune di Venezia, marzo-maggio 1980.] Venezia: Arsenale Cooperativa Editrice 1980, 116 S.

Frees, Paul

  • Ohmart, Ben: Welcome, foolish mortals: The life and voices of Paul Frees. Forew. by June Foray, afterw. by Keith Scott. Boalsburg, PA: BearManor Media 2004, vi, 284 S.

Grimault, Paul

  • Grimault, Paul: Traits de mémoire. Paris: Seuil, 1991, 256 S.
  • Paul Grimault: Artisan de l'imaginaire. Paris: Mission pour l'aménagement du Palais de Tokyo 1991, 107 S.
  • Pagliano, Jean-Pierre: Paul Grimault - avec un entretien et des témoignages. Paris: Lherminier 1986, 151 S. (Coll. Le cinéma et ses hommes.).
    Neuausg.: Paris: Dreamland Éd. 1996, 191 S. (Coll. Image par image.).

Harryhausen, Ray

  • Cozzi, Luigi: Ray Harryhausen e le meraviglie del cinema "a passo uno". Roma: Profondo Rosso 2009, 199 S. (Fantasy, science fiction, fantastique. 61.).
  • Dalton, Tony / Harryhausen, Ray: The art of Ray Harryhausen. With a foreword by Peter Jackson. London: Aurum 2005, xi, 230 S.
    Inhalt: Setting the scene – Influences and inspirations – Masks, monsters and mayhem – The formative years – Fairy tales - my teething rings – Allo-Rex – Zeus complex – Aliens - the epitome of apotamy – Legends – Other adventures – 'It's fine stuff, but it will rot'.
  • Díaz Maroto, Carlos: Ray Harryhausen. El mago del stop-motion. Madrid: Calamar 2010, 288 S.
  • Giesen, Rolf: Sagenhafte Welten: Der Trickspezialist Ray Harryhausen. [Katalog einer Ausstellung, Dt. Filmuseum Frankfurt am Main.] Frankfurt: Deutsches Filmmuseum 1988, 57 S. (Schriftenreihe des Deutschen Filmmuseums Frankfurt am Main.).
  • Harryhausen, Ray: Film fantasy scrapbook. South Brunswick, N.Y.: A.S. Barnes 1972, 117 S.
    2d ed. South Brunswick, NJ: A. S. Barnes 1974, 142 S.
    3rd ed. San Diego; London: A.S. Barnes; Tantivy Press
  • Harryhausen, Ray / Dalton, Tony: An animated life: Adventures in fantasy. London: Aurum 2003, 303 S.
    Auch: New York: Billboard Books 2004 = 2003, 303 S.
    Rev. and upd. pbk. ed. London: Aurum 2009, 304 S.
  • Jensen, Paul M.: The men who made the monsters. New York: Twayne / London: Prentice Hall 1996, xii, 401 S. (Twayne's filmmakers series.).
    Inhalt: In the Men Who Made the Monsters, Paul Jensen chronicles the careers of five men who made shamelessly scary, enjoyable, and sometimes classic films: James Whale (whose films include Frankenstein, 1931, and The Invisible Man, 1933), Willis O'Brien (King Kong, 1933; Mighty Joe Young, 1949), Ray Harryhausen (The 7th Voyage of Sinbad, 1958; Jason and the Argonauts, 1963), Terence Fisher (Dracula, 1958; Frankenstein Must Be Destroyed, 1969), and Freddie Francis (The Skull, 1965; Tales That Witness Madness, 1973). Usually working within tight budgets and short production schedules, these three directors (Whale, Fisher, Francis) and two masters of special effects (O'Brien, Harryhausen) turned out films that proved them to be not only skillful craftsmen but artists. In the inhuman, the unearthly, the monstrous, they found and explored the depths of our most human fears and fascinations.
  • The legend of Harryhausen. [Katalog.] Durham City: DLI Museum & Arts Centre 1984, 14 S.
    Includes a catalog of his drawings, models, bronze sculptures, photographs, and posters exhibited July 28-September 2, 1984.
  • Lenoir, Marc: L'influence de Ray Harryhausen dans le cinéma des années 1980-90. Mémoire de maîtrise, Arts du spectacle, Metz 2004, 119 Bl.
  • Ray Harryhausen - creador de monstruos. [Katalog: Fundación Luis Seoane de A Coruña, entre el 28 de octubre de 2009 y el 15 de enero de 2010.] Madrid: Maia 2009, 296 S. (Larva. 4.).
  • Rovin, Jeff: From the land beyond beyond. The films of Willis O'Brien and Ray Harryhausen. New York : Berkley 1977, x, 277 S. (A Berkley Windhover book.).
    Inhalt: Painting with light – O'Bie – The eighth Wonder of the World – Ray Harryhausen – Mighty Joe Young – The beast from twenty thousand fathoms – It came from beneath the sea – Of saucers and Saurians – Twenty million miles to Earth – The seventh voyage of Sinbad – The storm-blown heroes – Jason and the Argonauts – First men in the moon – Bring on the dinosaurs! – The golden voyage of Sinbad – Sinbad and the eye of the tiger – Tsuburaya, Danforth, and others.
  • Webber, Roy P.: The dinosaur films of Ray Harryhausen. Features, early 16mm experiments and unrealized projects. Jefferson, N.C. […]: McFarland 2004, xiv, 226 S.

Henson, Jim

  • Muppets, Monster & Magie. Die Welt von Jim Henson. Frankfurt: Deutsches Filmmuseum 1987, 39 S. (Schriftenreihe des Deutschen Filmmuseums.).
    Ausstellungskatalog.
  • Aaseng, Nathan: Jim Henson. Muppet master. Minneapolis: Lerner Publ. Co. 1988, 40 S.
  • Bacon, Matt: No strings attached: The inside story of Jim Henson*s creature shop. New York: Macmillan 1997, 191 S.
  • Finch, Christopher: Jim Henson: The works: the art, the magic, the imagination. New York: Random House 1993, xv, 251 S.
  • Hayward, Linda: Sesamstraßen Wörterbuch. Nach den Puppen von Jim Henson aus der Sesamstraße. [Mit 500 bunten Bildern und 500 Stichwörtern zum Anschauen, Lesen und Vorlesen.] Dt. Text von Joachim Tode. Nürnberg: Tessloff 1983, 89 S.
  • Inches, Alison: Jim Henson's designs and doodles. A muppet sketchbook. New York/London: Harry N. Abrams 2001, 128 S.
  • Krull, Kathleen: Jim Henson - the guy who played with puppets. Illustrated by Steve Johnson and Lou Fancher. New York: Random House Children's Books 2011, 35 S.
    Kinderbuch.
  • Parish, James Robert: Jim Henson. Puppeteer and filmmaker. New York: Ferguson 2006, 138 S. (Ferguson career biographies.).
    Inhalt: Memorable creative contribution – Love of television – Debut an the small screen – Reaching for success – New TV horizon – Sesame Street and beyond – Fresh creative challenges – Time Line – How to become a filmmaker – To learn more about filmmaker – How to become a television director – To learn more about television directors – To learn more about Jim Henson – Index.

Iwerks, Lesley

  • Bibliographie:
    Merlock Jackson, Kathy: Walt Disney. A bio-bibliography. Westport, Conn. [...]: Greenwood Press 1993, xi, 347 S. (Popular culture bio-bibliographies.).
  • Iwerks, Leslie / Kenworthy., John D.: The hand behind the mouse: An intimate biography of the man Walt Disney called "the greatest animator in the world". New York: Disney Editions 2001, 264 S., 16 Taf.
    Frz.: Ub Iwerks. Et l'homme créa la souris. Traduit de l'américain par Laurent Pujo-Menjouet. Paris: Bazaar 2008, 195 S.

Kon, Satoshi

  • Azzano, Enrico / Fontana, Andrea / Tarò, Davide (a cura di): Satoshi Kon. Il cinema attraverso lo specchio. Piombino: Il foglio 2009, 264 S. (Cinema-Split screen.).
    Inhalt: Ciò che sta dietro lo specchio. Una breve biografìa / Davide Tarò – Perfect Blue / Brian Ruh – Millennium Actress ovvero l'Arte che imita l'Arte che imita l'Arte... / Alessia Spagnoli – Tokyo Godfathers. I re magi vengono dal Sol lavante / Stefano Ganglio – Paranoia Agent / Enrico Azzano – Paprika o della piega infinita / Matteo Boscarol – When We Were Young ovvero: Satoshi Kon fumettista / Mario A. Rumor – Sogni di memorie, memorie di sogni. Satoshi Kon e il cinema / Raffaele Meale – Dialettica e Ispirazione: Katsuhiro Ótomo e Satoshi Kon / Andrea Fontana – Una Madhouse per Satoshi Kon / Luca della Casa – L'infinita trama del reale. Immaginario, sogno, verità nell'estetica di Satoshi Kon / Marcel lo Ghilardi – Frammenti di realtà nel montaggio del corpo "Anime" / Davide Tarò – Satoshi Kon: l'«allegria psicotica» del suono / Paola Valentini.
  • Osmond, Andrew: Satoshi Kon. The illusionist. Berkeley, Cal.: Stone Bridge 2009, 128 S. (Visual media masters.).
    Inhalt: Introduction – Kon on Kon – Perfect blue: psycho pop – Millennium actress: the running woman – Tokyo godfathers: a Christmas story – Paranoia agent: we're all mad here – Paprika: dream goddess – Postscript.

Kubal, Viktor

  • Jablonický, Viliam: Filmár Viktor Kubal. Bratislava: Tatran 1993, 98 S.
  • Urc, Rudolf: Viktor Kubal. Filmár, výtvarník, humorista. Bratislava: Asociácia Slovenských Filmových Klubov […]: 2010, 377 S.

Lantz, Walter

  • Adamson, Joe: The Walter Lantz story: With Woody Woodpecker and friends. New York: Putnam 1985, 254 S.

Lenica, Jan

  • Benayoun, Robert / Moulin, Raoul Jean / Passek, Jean-Loup / Lenica, Jan: Jan Lenica. [Katalog: Centre National d'Art et de Culture Georges Pompidou.] Paris: Centre Georges Pompidou 1980, 96 S.
  • Kałużyński, Zygmunt (Red.): Jan Lenica. [Ausstellung, Städtische Galerie Schloss Oberhausen / Westdeutsche Kurzfilmtage Oberhausen, 13. Februar bis 13. März 1966.] [S.l.]: Richtscheid-Dr. 1966, 10 Bl.
  • Kowalski, Tadeusz (Red.): Polski plakat filmowy. / L'Affiche polonaise du cinéma. / Pol'skij kinoplakat. / The Polish film poster. / Das polnische Filmplakat. Gesammelt u. bearb. von Tadeusz Kowalski. Warszawa: Filmowa Agencja Wyd. 1957, 8 Bl., 142 S.
  • Kristahn, Heinz-Jürgen / Benayoun, Robert: Jan Lenica. Plakat- und Filmkunst. Ausstellung, Katholische Akademie Hamburg […]. Berlin: Frölich & Kaufmann 1981, 190 S. (Internationale Plakatkunst.).
  • Jan Lenica. [Wystawa, Centrum Sztuki Współczesnej, Warszawa, 28 kwietnia-4 czerwca 2000.] Warszawa: Centrum Sztuki Współczesnej 2000, 128 S.
  • Lenica, Jan / Czerwiakowska, Ewa / Kujawski, Tomasz: Jan Lenica. Labirynt. [Wystawa Muzeum Narodowe w Poznaniu, 3 lutego - 14 kwietnia 2002, Miejska Galeria Sztuki w Łodzi, maja - czerwiec 2002 ...] Poznan: Museum Narodowe 2002, 255 S.
    Konferenzband. Zur den typographischen Arbeiten Lenicas.
  • Lenica, Jan / Döring, Jürgen (Red.): Jan Lenica. [Katalog: Museum für Kunst und Gewerbe, Hamburg, 31.5.-28.7.1991.] Hamburg: Das Museum 1991, 40 S.
  • Lenica, Jan / Kałużyński, Zygmunt: Jan Lenica. Warszawa: Wydawnictwo Artystyczno Graficzne 1963, [36] S.
    Text franz. und poln.
  • Mostra cartelloni cinematografici polacchi. Allestimento. / Das polnische Filmplakat. Ausstellung. [S.l.: s.n., 1957?], [32] S., [24] Taf.
    Auch frz.-engl.: L'affiche polonaise du cinéma. Exposition. / Polish film poster. Exhibition. Catalogue rédigé par Jan Lenica. Pprésentation graphique de Wojciech Zamecznik, Jan Lenica. [S.l.]: [s.n.], [1957], [48] S.
  • Passek, Jean-Loup (sous la direction de): Jan Lenica. Textes de Robert Benayoun […]. [Paris]: Centre national d'art et de culture Georges Pompidou 1980, 96 S.

Lye, Len

  • Bagh, Peter von: Cinemascope. Più grande della vita. / Cinemascope. Cinema larger than life. Buñuel Chaplin-The Circus Len Lye. Bologna: Cineteca di Bologna 2003, 409 S. (Cinegrafie. 16.).
  • Bouhours, Jean-Michel / Horrocks, Roger / Dennis, Jonathan (éds.): Len Lye. Paris: Centre Pompidou 2000, 271 S.
    Text franz. und engl. Anläßlich einer Ausstellung im Centre National d'Art et de Culture Georges Pompidou , 5.-30.4.2000 / Ausst.: Musée d'Art Moderne, 23.6.-10.9.2000, Fresnoy, Studio National des Arts Contemporains , 14.10.-17.12.2000.
  • Cann, Tyler (ed.): Len Lye. Individual happiness now! New Plymouth: Govett-Brewster Art Gallery 2006, unpag.
    Published on the occasion of an exhibition at the Govett-Brewster Art Gallery, New Plymouth, 3 December 2005 - 13 March 2006. Ed. by Imperial War Museum, Len Lye Foundation, Film Archive, New Plymouth District Council.
  • Cann, Tyler / Curnow, Wystan (eds.): Len Lye. New Plymouth: Govett-Brewster Art Gallery 2009, 183 S.
  • Curnow, Wystan (ed.): Figures of motion. Len Lye, selected writings. Auckland: Auckland University Press / Oxford University Press 1984, 152 S.
  • Horrocks, Roger / Starr, Cecile / Leonard, Robert: Composing motion. Len Lye and experimental film-making. Wellington: National Art Gallery 1991, 32 S.
  • Horrocks, Roger: Len Lye. A biography. Repr. Auckland: Auckland University Press 2001, 436, [56] S.
  • Horrocks, Roger: Art that moves. The work of Len Lye. Auckland: Auckland University Press 2009, 257 S., 1 DVD.
  • Jackson, Laura (Riding): Len Lye and the problem of popular films. [Deyá, Majorca]: Seizin Press 1938, 46 S. (Literal solutions.).
  • Lye, Len: Len Lye. A personal mythology. Auckland: Auckland City Art Gallery 1980, 91 S.
    Exhibition held at the Auckland City Art Gallery, Aug. 8-Sept. 28, 1980.
  • Kothenschulte, Daniel: Frei und radikal - Len Lyes absolutes Kino an den Schnittstellen des Unvereinbaren. Köln: StrzeleckiBooks 2009, 12 S. (Avantgarde, Experiment & Underground. 2.).
  • Lye, Len: Figures of motion: Len Lye, selected writings. Ed. by Wystan Curnow. Auckland: Auckland University Press: Oxford University Press 1984, 152 S.
  • Watkins, Jonathan / Cann, Typer (eds.): Len Lye. The body electric. [Catalog of the exhibition held at Ikon Gallery, Birmingham, Nov. 23, 2010-Feb. 13, 2011.] Birminghan: Ikon Gallery 2011, 43 S.

Mayno, Guiseppe

  • Moretti, Giovanni (a cura di): Mayno, il brigante della Spinetta. Intorno a un soggetto cinematografico di Armando Mottura e Pinin Pacòt. Torino: SEB 27 2008, 123 S. Linea teatrale. 11.).
    Über den Puppenanimateur Guiseppe Mayno. Enthält das Dehbuch Maino della Spinetta von Armando Mottura und Pinin Pacòt.

McCay, Winsor

  • Canemaker, John: Winsor McCay, his life and art. New York: Abbeville Press 1987, 223 S.
    Rev. and expanded ed. New York: Abrams 1987, 271 S.

McLaren, Norman

  • Bakedano, José J.: Norman McLaren. Bilbao: Museo de Bellas Artes de Bilbao 1987, 287 S.
  • Bassan, Raphaël: Norman McLaren: Le silence de Prométhée. Paris: Paris expérimental 2004, 30 S. (Les cahiers de Paris expérimental; 17.).
  • Bastiancich, Alfio: L'opera di Norman McLaren. Saggio critico e filmografia a cura di Alfio Bastiancich. Con scelta di testi e interviste di Norman McLaren. Torino: G. Giappichelli, 1981, xviii, 208 S. (Corso di storia e critica del cinema, anno accademico 1980-1981.).
    Frz.: Bastiancich, Alfio: Norman McLaren, précurseur des nouvelles images. Introd. de Gianni Rondolino. Trad. de l'italien par Marlène Di Stefano […]. Paris: Dreamland 1997, 181 S. (Collection Image par image pocket. 5.).
    En appendice, choix de textes de Norman McLaren.
  • Bref, 74, Sépt.-Oct. 2006, S. 10-36 = Spécial animation: McLaren, les 65 ans d'animation de l'Onf.
  • Carrière, Daniel: Norman McLaren. Montréal: Lidec 1991, 61 S. (Célébrités canadiennes.).
  • Cinémathèque canadienne (éd.): Norman McLaren. Montréal: Cinémathèque canadienne 1965, 46 unpag. S.
  • Collins, Maynard. Norman McLaren. Ottawa: Canadian Film Institute 1976, 119 S. (Canadian film series. 1.).
  • Cutler, Ebbitt: The unique genius of Norman McLaren. Ottawa: Canadian Art 1965, 10 S.
    Auch: Chicago, Ill.: International Film Bureau 1965.
    Ursprünglich aus: Canadian Art 22,3, May/June 1965, S. 8-17.
  • Dobson, Terence: The film work of Norman McLaren. Eastleigh/Bloomington: John Libbey [distrib. in North America by Indiana University Press] 2006, viii, 296 S.
    Basierend auf der Dissertation Dobsons: The film-work of Norman McLaren. University of Canterbury 1994, x, 291 S.
  • Exposição Norman McLaren. Apresentada pela Cinamateca Nacional e a Cinémathèque canadienne, Polácio Foz, Junho 1966. Lisboa: Secretariado Nacional da Informação, Cultura Popular e Turismo 1966, 14 S.
  • Glover, Guy: McLaren. [Writer, Guy Glover; research and project co-ordination, William Gallant, André Petrowski; graphic design, Guy Pilotte.] Montreal: National Film Board of Canada, 1980, 31 S.
  • Jordan, William E.: Norman McLaren: His career and techniques. Montreal: National Film Board of Canada n.d., 14 S.
  • Martin, André […]: Norman McLaren. [Mit Texten v. André Martin, Alexandre Alexeieff, Dusan Vukotic et al.] S.l. [Annecy]: [Festival du cinéma d'animation] [1965], 48 unpag. S. (Journées internationales du cinéma d animation, Annecy, 1965. / Cinémathèque canadienne Montréal. 1965. / Association française pour la diffusion du cinéma. 1965)..
    Filmographie.
  • McLaren, Norman: Cameraless animation. A technique developed at the National film Board of Canada by Norman McLaren. [Montréal]: National Film Board of Canada, Information & Promotion Division 1958, 11 S.
    Auch frz.: Cinéma d'animation sans caméra. Technique mise au point par Norman McLaren à l'Office national du film, Canada. Montréal, Québec: Service d'information de publicité, Office national du film 1959, 12 S.
  • McLaren, Norman / Maillet, Raymond / Martin, André: Hello Gertie Ciao Goofy. Exposition mondiale du cinema d'animation. Montréal: La Cinémathèque canadienne 1967, 48 ungez. S.
  • McLaren, Norman / White, Michael: The drawings of Norman McLaren. / Les dessins de Norman McLaren. Ed. from taped interviews by Michael White. Montreal: Tundra Books, 1975, 192 S.
    Text in Engl. und Franz.
  • McLaren, Norman: Norman McLaren. Edinburgh: Scottish Arts Council 1977, 70 S.
    Catalogue of an exhibition held at Third Eye Centre, Glasgow 13 May-11 June 1977 [...].
  • McLaren, Norman: On the creative process. Comp. & ed. by Donald McWilliams. Montréal: National Film Board of Canada 1991, 106 S.
  • McWilliams, Donald: Norman McLaren, the master's edition. / Norman McLaren, l'intégrale. [Frz.-engl.] [Montreal]: National Film Board of Canada 2006, 41, 41 S.
  • Nagrada za ivotno djelo. / Life achievement award: Norman McLaren. Zagreb: Svjetski festival animiranog filma 1986, 88 S.
    Text in Serbokroat. u. Engl.
  • Norman McLaren. [Katalog.] Montréal: La Cinemathèque Canadienne 1965, 16 S.
  • Norman McLaren. [= Themenheft der Séquences, 82, Oct. 1975.] Montréal: Séquences 1975, 48 S.
  • Richard, Valliere T.: Norman McLaren, manipulator of movement: The National Film Board years, 1947-1967. Newark Toronto: University of Delaware Press / Associated University Presses 1982, 128 S.
  • Rondolino, Gianni: Norman McLaren: 15 cortometraggi. Torino: Centrofilm, 1959, 40 S. (Centrofilm: quaderni di documentazione cinematografica. 1.).

Melbourne-Cooper, Arthur

  • De Vries, Tjitte / Mul, Ati: "They Thought It Was a Marvel": Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation. Amsterdam: Amsterdam University Press / Pallas Publications 2009 [2010], 576 S., 32 farbige Taf., 74 Zweifarb-Taf., 1 DVD.
    Drawing on hitherto unseen archival material and interviews, "They Thought It Was a Marvel" sketches an unforgettable portrait of British pioneer filmmaker Arthur Melbourne-Cooper. Tjitte de Vries and Ati Mul sift through several of Melbourne-Coopeŕs films, emphasizing his contributions to early cinema while simultaneously arguing their case that Melbourne-Coopeŕs Matches Appeal is the first animated film. Accompanying the book is a DVD that features the six surviving animated films made by Melbourne-Cooper.

Miyazaki, Hayao

  • Bencivenni, Alessandro: Hayao Miyazaki. Il dio dell'anime. Prefazione di Luca Raffaelli. Recco (Genova): Le Mani 2003, 167 S., [4] Taf.
    Cavallaro, Dani: The animé art of Hayao Miyazaki. Jefferson, NC [...]: McFarland 2006, viii, 204 S.
    Considers the visual conventions of Japanese comic books and animated films, Miyazaki's early foray into comic books and animation, the Studio Ghibli era, and the company's development. It analyzes all of Miyazaki's productions between 1984 and 2004, including such hits as My Neighbor Totoro.
  • McCarthy, Helen: Hayao Miyazaki: Master of Japanese animation: films, themes, artistry. Berkeley, California Stone Bridge Press 1999, 239 S.
    Zahlr. Nachdr.

Mizzi, Andante

  • Oswald, Jani: Andante Mizzi. Klagenfurt: Drava 2010, 117 S., 1 DVD-Video.
    Die DVD enth. 10 Animationsfilme.

Norstein, Yurij

  • Kitson, Clare: Yuri Norstein and Tale of Tales: An Animator's Journey, Bloomington, Ind/ London: Indiana University Press / John Libbey 2005, xii, 148 S.

O'Brien, Willis

  • Rovin, Jeff: From the land beyond beyond. The films of Willis O'Brien and Ray Harryhausen. New York : Berkley 1977, x, 277 S. (A Berkley Windhover book.).
    Inhalt: Painting with light – O'Bie – The eighth Wonder of the World – Ray Harryhausen – Mighty Joe Young – The beast from twenty thousand fathoms – It came from beneath the sea – Of saucers and Saurians – Twenty million miles to Earth – The seventh voyage of Sinbad – The storm-blown heroes – Jason and the Argonauts – First men in the moon – Bring on the dinosaurs! – The golden voyage of Sinbad – Sinbad and the eye of the tiger – Tsuburaya, Danforth, and others.

Oshii, Mamuro

  • Ruh, Brian: Stray dog of anime. The films of Mamoru Oshii, New York, NY: Palgrave Macmillan 2004, x, 230, [16] S.
    Inhalt: The World of Urusei Yatsura: Urusei Yatsura: Only You and Urusei Yatsura 2: Beautiful Dreamer – Angel's Egg – Twilight Q 2: Labyrinth Objects File 538 – The World of Patlabor: Patlabor 1 and Patlabor 2 – Ghost in the Shell – Jin-Roh and Blood the Last Vampire – Avalon.
    Quay Bros.
  • Buchan, Suzanne: The Quay Brothers: Into a Metaphysical Playroom. Minneapolis, MN: University of Minnesota Press, 2011, 296 S.
    The complex, special power of the Quay Brotherś puppet animation poetics This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne Buchańs engaging descriptions and provocative insights into the Quayś art-and into the art of independent puppet animation.Buchańs aesthetic investigation stems from extensive access to the Quay Brotherś artistic practices and work, which spans animation and live-action film, stage design, and illustration. She also draws on a long acquaintance with them and on interviews with collaborators essential to their productions, as well as archival sources. Discussions of their filmś literary origins, space, puppets, montage, and the often-overlooked world of sound and music in animation shed new light on the expressive world that the Quay Brothers generate from their materials to create the poetic alchemy of their films.At once a biography of the Quayś artistic trajectory and a detailed examination of one of their best-known films, Street of Crocodiles, this book goes further and provides interdisciplinary methodologies and tools for the analysis of animation.

Reiniger, Lotte

  • Bastiancich, Alfio (a cura di): Lotte Reiniger. Torino: Centro internazionale per il cinema di animazione 1982, 116 S.
  • Downar, Margit (Red.): Lotte Reiniger. Silhouettenfilm und Schattentheater. [Ausstellung, Puppentheatermuseums im Münchner Stadtmuseum, 2. Juni-17. August 1979.] München: Lipp 1979, 74 S.
  • Dütsch, Werner (Red.): Lotte Reiniger: Eine Dokumentation. Berlin: Deutsche Kinemathek 1969, 65 S. (Schriftenreihe der Deutschen Kinemathek Berlin. 14.).
  • Ferber, Carola / Ströhl, Andreas (Hrsg.): Lotte Reiniger: Filme = Films. München: Goethe-Institut 1999, 58 S. (Goethe-Institut Filmprogramm. / Goethe-Institut filmprograms.).
  • Happ, Alfred: Lotte Reiniger, 1899-1981. Schöpferin einer neuen Silhouettenkunst. Tübingen: Kulturamt 2004, 206 S. (Tübinger Kataloge. 67.).
  • Lotte Reiniger. Exhibition 3 April-9 May 1982, DLI Museum & Arts Centre, Aykley Heads, Durham: 15 May-13 June 1982, Mappin Art Gallery, Sheffield. Durham, England: DLI Museum 1982, 16 S.
  • Reiniger, Lotte: Shadow puppets, shadow theatres, and shadow films. Boston: Plays, inc. 1970.
    Repr. 1975, 126 S., 2 Taf.
    Reiniger, Lotte: Schattentheater, Schattenpuppen, Schattenfilm. Tübingen: Texte Verlag 1981, 135 S.
  • Strobel, Christel / Strobel, Hans (Hrsg.): Lotte Reiniger. Materialien zu ihren Märchen- und Musikfilmen. Duisburg: Atlas-Film + AV 1988, 57 S. (Atlas-Forum.).
  • White, Eric Walter: Walking shadows: An essay on Lotte Reiniger's silhouette films. London: Leonard and Virginia Woolf at the Hogarth Press 1931, 31 S.

Reynaud, Emile

  • Varela, Stéphanie: La peinture animée: essai sur Emile Reynaud (1844-1918): Entre peinture et cinéma. Paris [...]: ĹHarmattan 2010 , 334 S. (Champs visuels.).
    = Thèse de doctorat (Littératures françaises et comparées, arts du spectacle, musicologie), Université Montpellier 3, 2009.
    In this thesis in which Émile Reynaud (1844-1918) is presented as the inventor of motion painting, three years before the creation of cinema, a definition of motion painting is arrived at based on five necessary criteria which have been found to be : 1) The overall presence of texture in the paint applied directly to the support by the artist himself (thereby excluding films painted for colouring effects or digital colorization in animation films) 2) Movement inseparable from time and space (scrolling) 3) Shapes and contours painted not delineated by drawn lines as in cartoons 4) A painterly narrative different from that in a cinema film 5) The evidence of the artist's creative process in the spatial presentation of his work including its projection and the potential exhibition of various elements of his preparatory work Motion painting is unsuited to the usual distribution circuits of the animation film industry and therefore given little exposure. Motion painting which combines cinema, painting and installation readily finds a place in venues presenting contemporary art and its mixed media techniques.

Schwitzgebel, Georges

  • Cotte, Olivier: Georges Schwizgebel. Des peintures animées, die laufenden Farbbilder, animated paintings. Carouge/Genève [...]: Heuwinkel 2004, 208 S.
    Dreisprachig, dt., engl. und franz.

Servais, Raoul

  • Moins, Philippe / Temmerman, Jan: Raoul Servais: Itineraire d'un peintre cineaste: a painter filmmaker's journey. Gent: Vzw Stichting Raoul Servais Foundation 1999, 118 S.
    Swinnen, Johan M. / Deneulin, Luc: Raoul Servais: The wizard of Ostend. Commitment - Challenge - Recognition. / Le magicien d'Ostende. Engagement - Défi - Reconnaissance. / De tovenaar van Oostende. Engagement - Uitdaging - Erkenning. Brussel: VUB-Press 2008, 320 S.
    Preface et avant-propos par Jacques Dubrulle, Biographie par Angelique Hoste.

Smith, Harry

  • Igliori, Paola (ed.): American Magus Harry Smith: A Modern Alchemist. With a partial list of the things he gathered New York: Inanout Press 1996, 286 S.
    Mit einem Text von Bill Breeze über Harry Smith.
  • Perchuk, Andrew / Singh, Rani (ed.): Harry Smith: The Avant-Garde in the American Vernacular. Los Angeles, Cal.: The Getty Research Institute 2010, vii, 286 S. (Issues & Debates. 16 .).
  • Singh, Rani (ed.): Think of the Self Speaking: Harry Smith - Selected Interviews. Introduction by Allen Ginsberg. Seattle: Elbow/Cityful Press 1999, iii, 186 S.

Starevich, Ladislas

  • Leono, Béatrice / Martin, François: Ladislas Starewitch, 1882-1965. "Le cinéma... rend visibles les rêves de l'imagination". Paris/Budapest/Torino: L'Harmattan 2003, 484 S. (Champs visuels.).

Švankmajer, Jan

  • Bibliographie:_Wulff, Hans J.: _Jan Švankmajer: Bibliographie und Filmographie. Hamburg: Universität Hamburg 2011, Online (Medienwissenschaft/Hamburg: Berichte und Papiere. 124.).
  • Bounoure, Vincent (Red./Text): Bouillonnements cachés. Tableaux, dessins, gravures, collages, ceramiques, objets et films Eva et Jan Švankmajer. Paris: Editions Confédération Parascolaire 1987, 46 S.
  • Bouteillet, Maïa (éd.): Jan Švankmajer – un surréaliste du cinéma d�eanimation. [Katalog des] Musée d�eArt Moderne et Contemporain de Strasbourg [à l�eoccasion de la rétrospective de l�eœuvre de Jan Svankmajer du 15 au 27 janvier 1999] / Vidéo les Beaux Jours / Apollonia échanges artistiques européens / Lés Éditions Ciné-Fils. Strasbourg: Musée d�eArt Moderne 1999, 74 S.
  • Dierna, Giuseppe (a cura di): Jan Švankmajer, Eva Švankmajerová – memoria dell�eanimazione, animazione della memoria. Milano: Mazzotta 2003, 167 S.
    Katalog zu einer Ausstellung in Parma, Palazzo Pigorini, Galleria San Ludovico, 2003-2004.
  • Dillen, Anita (ed.): Jan Svankmajer – het ludicatief principe. Antwerpen: Antwerpse Film Stichting 1991, 72 S.
  • Dowd, Amanda Marie: Communication, consumption, and manipulation. The body as language in the films of Jan Švankmajer. M.L.A. Thesis, University of South Florida, [Tampa, Fla] 2009.
    Abstract: In this thesis I will analyze and discuss the work of renowned director Jan Švankmajer. Specifically, I will examine how director Jan Švankmajer�es representation of the body creates a metaphorical language. In addition, I will address what meaning can be gathered from, or made apparent through the commentary of the body�es language and discuss the significance of the socio-political implications. Prior to my discussion of Švankmajer�es work I will give a concise socio-political history of the Czech Republic from 1968-1994; this discussion will provide a framework for the subsequent analyses. In order to provide support for my argument, I will discuss the relationship between Švankmajer�es work and Michael Foucault�es theory of the „body politic�g, Patrick Fuery�es theory of the „cinematized body�g and Mikhail Bakhtin�es theory of the image of the grotesque body. After discussing the implication of these theories I will discuss three of Švankmajer�es films in order to specifically address the ability of the grotesque body to subvert discourses of power and how the socio-cultural environment has an impact on Švankmajer�es choice of body representation. The films I discuss include Dimensions of Dialogue (1982), Food (1992) and Faust (1994).
  • Dryje František / Solarík, Bruno / Soucek, Martin (Red.): Syrové umení. Sbírka Jana a Evy Švankmajerových. [Ausstellung, Galerie u Bílého Jednoro ce, Klatovy, 19.12.2004-20.2.2005 / Pra ákuv Palác, Brno: 25.2.-29.5.2005.] Praha [...]: Arbor Vitae [...] 2004, 188 S.
  • Dryje, František (Hrsg.): Síla imaginace. Re isér o své filmové tvorbe. Praha: Dauphin / Mladá fronta 2001, 271 S.
    Inhalt: Síla imaginace / František Dryje – Texty Jana Svankemajera – Explikace a komentáre k filmum – Nerealizované scénáre – Dokumentace.
  • Dunant, Gilles (ed.): Jan Svankmajer, l�fanimateur. Annecy: JICA 1985.
    Special publication for the Animated Film Festival.
  • Fornara, Bruno (a cura di): Jan Svankmajer. [Hrsg. für das] Bergamo Film Meeting. Bergamo: Bergamo Film Meeting 1997, 128 S.
    Katalog zu einer Retrospektive.
  • Hames, Peter (ed.): Dark alchemy. The films of Jan Svankmajer. Westport, Conn: Greenwood Press 1995, 202 S. (Contributions to the study of popular culture. 46.).
    Zugl.: Whiltshire: Flicks 1995, 202 S. (Cinema voices series. 2.).
    Neue Ausg.: The cinema of Jan Švankmajer: Dark alchemy. Rev. & expand. ed. London: Wallflower 2008, vii, 247 S. (Director�es Cuts Series.).
    Inhalt der Neuausg.: The Film Experiment / 8-39. – Jan Svankmajer: A Mannerist Surrealist / 40-66. – Thinking Through Things: The Presence of Objects in the Early Films of Jan Svankmajer / 67-82. – The Core of Reality: Puppets in the Feature Films of Jan Svankmajer / 83-103. – Interview with Jan Svankmajer / 104-139. – Decalogue / 140-142. – The Force of Imagination / 143-203. – Afterword / 204-209.
    Rev. (Dina Iordanova) in: Slavic Review, Vol. 55, No. 4 (Winter, 1996), pp. 898-899
    Rev. (Jodoin-Keaton, Charles In: Cinemas: Revue d�eEtudes Cinematographiques 8,1-2, 1997, pp. 215-219.
    Rev. (Furniss, Maureen) in: Animation Journal 5,2, 1997, pp. 82-83.
    Rev. (Goulding, Daniel) in: Historical Journal of Film, Radio and Television 16,3, 1996, pp. 462-463.
    Rev. (Brooke, Michael) in: Sight & Sound 18,12, 2008, S. 93.
    Rev. (Widdis, Emma) in: Journal of European Studies. Literature and Ideas from the Renaissance to the Present 27,1, 1997, S. 111.
    Rev. (Laura Ivens-Hulley) in: Animation: An Interdisciplinary Journal 4,2, July 2009, S. 217-221.
  • Hošková, Simeona (Hrsg.): Jan Švankmajer – transmutace smyslu. / Jan Švankmajer - transmutation of the senses. Stredoevropská Galerie a Nakladatelstvi. [Red.: Simeona Hošková ...] Praha: Stredoevropská Galerie a Nakladatelství 1994, 104 S. (Edice detail. 2.).
    Zu einer Objektkunstausstellung. Text in tschech. u. engl.
    Neue Ausgabe hrsg. v. Kveta Otcovská u. Olga Frídlová. Praha: Stredoevropská Galerie a Nakladatelství 2004, 132 S.
    Rev.: Aitio, Tommi: Risteilyjõ elokuvan alkemistin taidefilosofioissa.. In: Filmihullu, 1, 1996, S.. 45-46.
  • Jan Svankmajer: La fuerza de la imaginación. Valladolid: Semana Internacional de Cine de Valladolid 1991, 63 S.
    Anläßlich der Semana Internacional de Cine de Valladolid.
  • Jodoin-Keaton, Charles: Le cinéma de Jan Švankmajer. Un surréalisme animé. [Montréal]: Les 400 coups 2002, 139 S. (Cinéma.).
    Zuerst als M.A. Thesis, Université de Montréal 1998: L�eoeuvre de Jan Švankmajer: un surréalisme animé.
  • Martín Gutiérrez, Gregorio (Hrsg.): Jan Švankmajer, la magia de la subversión. [Hrsg. für das] Festival Internacional de Cine Las Palmas de Gran Canaria. [Las Palmas de Gran Canaria]: Festival Internacional de Cine Las Palmas de Gran Canaria / Madrid: T&B 2010 , 259 S., 16 Taf.
  • Martìn Gutièrrez, Gregorio (ed.): Jan Svankmajer. La magia de la subversiòn. Madrid: T&B 2010, 259 S.
    Anläßlich des Festival Internacional de Cine Las Palmas de Gran Canaria / Filmoteca Canaria.
  • Minck, Bady [Red.]: Das Lexikon der Träume. Jan Švankmajer - eine Werkschau. [Retrospektive Jan Švankmajer, 15. bis 21. Jänner 1993, Filmcasino / Ausstellung Jan Švankmajer, 15. bis 21. Jänner 1993, Kunstraum Freihaus.] Wien: Filmcasino 1993, [24] Bl.
  • Musée d�eart moderne et contemporain (Strasbourg): Jan Švankmajer-- un surréaliste du cinéma d�eanimation. Sous la direction de Georges Heck. Strasbourg: Editions Ciné-fils [1999], 74 S.
    Katalog zu einer Ausstellung im Museum.
  • O�eKane, David: Seeking Švankmajer. Illuminating the Dark Unconscious. Ms., Febr. 2006, 60 S.
    Online zugänglich, URL: http://www.davidokane.com/publications/Seeking%20Svankmajer_s.pdf.
    Inhalt: Švankmajer and the Object of the Uncanny / 10-19. – Cycles of Destruction: Švankmajer and the Horror of Abjection / 20-30. – ‚Dimensions of Dialogue.�f /31-35. – Confronting Animation / 36-49. – Conclusion / 50-52.
  • Oriel 31 (Hrsg.): Svankmajer yng Nghymru. Cyfleu breuddwydion. Arddangosfa gan Jan ac Eva Svankmajer. / Svankmajer in Wales. The communication of dreams. An exhibition by Jan and Eva Svankmajer. [S.l.]: Welsh Arts Council 1992, 56 S.
    Catalogue of exhibitions held at Chapter, Cardiff 11 March - 5 April 1992 and Oriel 31 at the Davies Memorial Gallery, Netown and Oriel 31, Welshpool, 2 May - 6 June 1992.
  • Prassel, Igor [...]; Jan Švankmajer. Retrospektiva. Ljubljana: Slovenska kinoteka 2003 (Zbirka Kinotecni katalog, leto 8, št. 1.).
  • Steiner, Melanie: Jan Švankmajer und der tschechische Surrealismus. Diplomarbeit Leopold-Franzens-Universität Innsbruck 2003.
  • Svankmajer, Jan-Eva [!]: El llenguatge de l�eanalogia = el lenguaje de la analogía. [Hrsg. v.] Patronat Municipal [für das] Festival Internacional de Cinema Fantàstic de Sitges 27º 1994. Sitges: Patronat Municipal per a l�eOganització del Festival Internacional de Cinema Fantàstic de Sitges 1994, 56 S.
  • Svankmajer, Jan: Síla imaginace. Re isér o své filmové tvorbe. Praha: Dauphin [...]: 2001, 271 S.
  • Svankmajer, Jan: Hmat a imaginace. Úvod do taktilního umení. Taktilní experimentace 1974-1983. 2. Aufl. [Cesko]: Kozoroh 1994, 235 S. (Dílna.1.).
  • Švankmajer, Jan / Magincová, Dagmar [Hrsg.] / Švankmajerová, Eva: Anima animus animation - EvaŠvankmajerJan : between film and free expression. Prague: Slovart / Arbor Vitae Foundation 1998, 181 S.
    Katalog zu Ausstellungen in der Gallerie U bilého jednoro ce in Klatovy und der East Bohemian Gallery, Pardubice. Bildband.
    Auch tschech.: EvaŠvankmajerJan: Anima animus animace. Praha: Slovart, 181 S.
  • Švankmajerová, Eva / Švankmajer, Jan: Imaginativni oko, imaginativni ruka. Praha: Nakladatelství Vltavín 2001, 59 S. (Edice Monografie. 2.).
    Ausstellung: Galerie Jirího a Bely Kolárových, Praha 2001
  • Švankmajerová, Eva / Švankmajer, Jan: La contamination des sens. Eva et Jan Svankmajer. Peintures, dessins, projets, collages, gravures, objets tactiles, céramiques, marionettes, décors. Exposition réalisée par le CAC. d�eAnnecy, 1er - 30 juin 1991. Annecy: Centre d�eAction Culturelle [...]: 1991, [32] S.
  • Ulver, Stanislav [Hrsg] / Svankmajer, Jan: La fuerza de la imaginación. Valladolid: Semana Internacional de Cine de Valladolid 1991, 63 S.
    Hrsg. zur „36 Semana Internacional de Cine de Valladolid�g.
    Inhalt:La alquimia de lo maravilloso / por Stanislav Ulver – Jan Svankmajer por Jan Svankmajer – La experimentación táctil / por Jan Svankmajer – La comida : guión no realizado de Jan Svankmajer.
  • Vimenet, Pascal (éd./coord.): Svankmajer E. & J. – bouche à bouche. Montreuil (Seine-Saint-Denis): Ed. de l�eOeil 2002 , 167 S., 67 S. Beil.
    Katalog zum Festival international du film d�eanimation d�eAnnecy, 2002, veranstaltet von den Musées de la communauté de l�eAgglomération annécienne et la société Athanor, dem Festival International du film d�eanimation d�eAnnecy und der Bohemia Magica. Die Ausstellung gehörte zum nationalen Programm „une saison tchèque en France (mai-décembre 2002)�g. Die Ausstellung fand statt im Musée-Château d�eAnnecy.

Takahata, Isao

  • Le Roux, Stéphane: Isao Takahata, cinéaste en animation: modernité du dessin animé. Paris [...]: L'Harmattan 2010, 249 S. (Cinémas d'animations.).
    Extrait de Thése de doctorat (Cinéma), Université Rennes 2, 2007, sous le titre: Scénographie et cinématographie du dessin animé: de Toei à Ghibli, 1968-1988, le parti du réalisme de Isao Takahata et Hayao Miyazaki.
    Ce premier volume consacré aux créateurs du Studio Ghibli constitue un triple pari: s'intéresser à Takahata, le moins connu des deux auteurs, qui fit pourtant basculer le dessin animé de long métrage dans la modernité (Hols [Horus], prince du soleil), permettre aux amateurs d'animation d'apprécier le travail de mise en scéne. Enfin, de considérer ces artistes en tant que cinéastes à part entiére.

Tetley, Walter

  • Ohmart, Ben / Stumpf, Charles: Walter Tetley for corn's sake. Boalsburg, PA: Bear Manor Media 2003, 199, [2] S.

Tezuko, Osamu

  • Ban, Toshio / Tezuka Purodakushon: Osamu Tezuka, biographie. [Traduction: Marie-Françoise Monthiers.] Bde. 1-4. Bruxelles: Casterman 2004-2006 (Écritures.).
    1. 1928-1945, 2004, 229 S.
    2. 1946-1959, 2005, 228 S.
    3. 1960-1974, 2005, 227 S.
    4. 1975-1989, 2006, 196 S.
  • Macadam, Joseph P.: Osamu Tezuka. Keirinkan English cruise. Ôsaka-shi: Shinkô Shuppansha Keirinkan 2001, 48 S. + 1 Beiheft, 20 S. (Keirinkan English cruise, A-11.).
    Textbook for foreign speakers; Biography.
  • Sakurai, Tetsuo: Tezuka Osamu: Jidai to kirimusubu hyogensha. Tokyo: Kodansha 1990, 220 S. (Kodansha gendai shinsho. 1004.).
  • Schodt, Frederik L.: The Astro Boy essays. Osamu Tezuka, Mighty Atom, and the manga-anime revolution. Berkeley, Cal.: Stone Bridge Press 2007, xvi, 215 S.
    Über Tezukas Produktion Astroboy und die Entwicklung des japanischen Manga-Films.
  • Tezuka Purodakushon: _Tezuka Osamu gekijô: Tezuka Osamu no animêshon firumogurafi. The animation filmography of Osamu Tezuka._Tôkyô: Kabushiki Gaisha Tezuka Purodakushon 1991, 96 S.
    Erw. Neuausg. 1997, 103 S.
  • Tezuka Purodakushon: Tezuka Osamu genga no himitsu. Tôkyô: Shinchôsha 2006, 127 S. (Tonbo no hon.).

Thorson, Charles

  • Walz, Eugene P.: Cartoon Charlie: The life and art of animation pioneer Charles Thorson. Winnipeg: Great Plains Publications 1998, 222 S.

Trnka, Jiri

  • Bibliographie:_Fiala, Oldrich: _Tvurce snu. Bibliogr. materiál k 5. výrocí úmrtí národního umelce Jirího Trnky. Kromerí : Okresní knihovna 1975, 23, i S.
  • Bibliographie:_Škrabalová, Marie: _Jirí Trnka : 24.2.1912 - 30.12.1969. Personální bibliografia. Otrokovice: Knihovna Sdru eného klubu ROH 1989, 16 Bl.
  • Carodej: šest národních umelcu o sedmém. K 75. výrocí narození J. Trnky. Praha: Albatros 1987, 50 S.
    Festschrift zum 75. Geburtstag.
  • Trnka. [Katalog: Tentoonstelling Amsterdam, mei-juni 60; georganiseerd door het Nederlands Filmmuseum en het Stedelijk Museum. Amsterdam: Das Museum 1960, 8 Bl. (Catalogus / Stedelijk Museum Amsterdam. 243.).
  • Jirí Trnka - souborná výstava. [Katalog: Plzen, duben - kveten - cerven 1962.] [Bro urka k výstave] / František Hrubín: Chvilky s Jirím Trnkou, [úv. studie] ; [Doslov:] Bohumil Polan ; Fot.: František Je erský a Vilém Rosegnal. Plzen: Západoceská galerie 1962, 22, 4 S.
  • Národní umelec Jirí Trnka (1912-1969). Katalog výstavy Oblastní galerie výtvarného umení Gottwaldov, kveten-cervenec 1977, Národní galerie v Praze, srpen-zárí 1977. [Úvodní text Jirí Kotalík.] Gottwaldov: Oblastní galerie výtvarného umení 1977, 32 S., 38 Taf.
  • Národní umelec Jirí Trnka: 1912-1969. Výber z díla. [Katalog. Nová výstavní sín SmGVU v Porube: duben - cerven 1989 / autorka katalogu Eva Trnková.] Ostrava: Severomoravská galerie výtvarného umení 1989, 22 S.
  • Jirí Trnka, 1912-1969: Národní galerie v Praze, Sbírka kresby 19. a 20. století, Palác Kinských 22.X.1992 - 24.I.1993. V Praze: Národní galerie 1992, 72 S.
    Katalog.
  • Jirí Trnka 1912-1969. [Katalog: Galerie mesta Plzne 23. kvetna - 30. cervna 2002 / Jirí Trnka a Plzen: Galerie Jirího Trnky 5. cervna - 29. cervna 2002]. Plzen: Galerie mesta Plzne : Unie výtvarných umelcu plzenské oblasti 2002, 19 S.
  • Zahrada Jirího Trnky. Obrazy, ilustrace, plastiky, loutky. [Katalog: Galerie Smecky, prosinec 2009 - leden 2010.] Výstavu koncipovala a texty napsala Jana Orlíková. Praha: Studio Trnka 2009, 55 S.
  • Benešová, Marie: Jiri Trnka, master of the Czechoslovak puppet films. An exhibition arranged by the Government of Czechoslovakia: New Zealand itinerary, National Art Gallery, Wellington, Auckland City Art Gallery. Wellington, N.Z.:
    Govt. Printer 1959, 12 S.
    Benešová, Marie: Od Špalícku ke Snu noci svatojanské . [Predmluvu napsal Miroslav Cesal.] Praha: Orbi, 1961, 57, [64] S.
  • Benešová, Marie: Jirí Trnka. Praha: Ceskoslovenský Filmexport 1970, 30 S.
  • Bocek, Jaroslav. Jirí Trnka; historie díla a jeho tvurce. V Praze: Státní nakl. krásné literatury a umení 1963, 292 S. ( Edice Ceské dejiny, sv. 33.).
    = Jirí Trnka. Geschichte eines Werkes u. seines Schöpfers.
    Dt.: Jiri Trnka. [Dt. von Anna Albertova. Ill. von Jiri Trnka.] Praha: Artia 1964, 267 S.
    Engl.: Jirï Trnka, artist and puppet master. Transl. by Till Gottheiner. Prague: Artia 1965, 272 S.
  • Boillat, Jean-Marc: Jiri Trnka : 1912-1969. Paris: Anthologie du Cinéma 1974, 64 S. (Anthologie du cinéma. 79.).
  • Chvojková, Helena: Jirí Trnka. Prebal, vazba a graf. úprava Petr Langmeier. Plzen: Západoceské nakladatelství 1990, 129 S. (Bakalár. Díla plzenských rodák. 1.).
  • Hlavácek, Luboš: Jirí Trnka / L.H. Augustin ; [obrazový materiál vybral, popisky vypracoval, na prílohách spolupracoval, redigoval Lev Pavluch.] Praha: Academia 2002, 463 S.
    Zsfassungen in engl., dt., franz. und span. Sprache.
  • Hoffmann, Hilmar (Hrsg.): Jirí Trnka - der Puppenfilmer aus Prag. Ausstellung vom 15.3. - 2.5.1987. Frankfurt: Deutsches Filmmuseum 1987, 46 S. (Schriftenreihe des Deutschen Filmmuseums.).
  • Novák, Bohumil (ed.): Ilustrátori Aleš, Bouda, Lada, Svolinský, Trnka. Katalog výstavy, Praha 1973 / Zprac.Praha : Pedagog. museum J.A. Komenského 1973, 88, [1] S.
    Trnka als Illustrator.
  • Tetiva, Vlastimil: Jirí Trnka (1912-1969). Hluboká nad Vltavou: Alšova jihoceská galerie. Praha: Tok / P.S. Leader 1999, 207 S.
    Bildband.
  • Trnka, Jirí / Brabcová, Jana A.: Jirí Trnka, 1912-1969. V Hluboké nad Vltavou: Alšova Jihoceská Galerie [...] 1999, 207 S.
    Bildband.
  • Trnková, Klára: Velikonocní koledy, zvyky a obyceje nasí babicky. Praha: Studio Trnka 2009, 47 S. (Edice nasí babicky.).
Stichwörter
  • Keine