\\
Ajanović, Midhat: _De visuella tonsättarna. Animationens mästare i urval._ Göteborg: Optimal Press 2005, 220 S.
\\
Alberti, Walter: _Il cinema di animazione, 1832-1956._ Torino: Edizioni Radio Italiana 1957, 223 S.
\\
Amidi, Amid: _The art of robots{_}. San Francisco: Chronicle Books 2005, 144 S.
Inhalt{*}:* Rivet Town -- The city -- Big weld industries -- Outmodes -- Chop Shop -- Artists.
\\
Amidi, Amid: _Cartoon modern. Style and design in fifties animation{_}. San Francisco, Cal.: Chronicle Books 2006, 200 S.
Inhalt{*}:* Notes about the artwork -- Academy Pictures -- Creative Arts Studio -- Elektra Films -- Fine Arts Films -- Grantray-Lawrence Animation -- Hanna-Barbera -- John Sutherland Productions -- Keitz & Herndon -- MGM -- Pintoff Productions -- Playhouse Pictures -- Ray Patin Productions -- Shamus Culhane Productions -- Storyboard -- Terrytoons -- United Productions of America -- Walt Disney Productions -- Walter Lantz Productions -- Warner Bros. -- The international design scene -- Conclusion.
\\
Bacher, Hans: _Dream worlds: Production design for animation{_}. Oxford: Focal Press 2008, 208 S.
\\
Barrès, Patrick: _Le cinéma d'animation. Un cinéma d'expériences plastiques{_}. Paris \[...\]: L'Harmattan 2006, 189 S. (Champs visuels.).
\\
Bassan, Raphaël: _Cinéma et abstraction: Des croisements{_}. Paris: Paris expérimental 2007, 36 S. (Les Cahiers de Paris expérimental. 25.).
\\
Beaudet, Louise: _L'Art du cinema d'animation / The Art of Animated Films{_}. Montréal: Musée des Beaux-Arts de Montréal / The Montreal Museum of Fine Arts 1982, 96 S.
\\
Beck, Jerry: _The animated movie guide{_}. Chicago, IL: Chicago Review Press 2005, xx, 348 S. (An A Cappella book.).
Beck, Jerry, Ball, Ryan (Hrsg.): _Animation art: from pencil to pixel, the history of cartoon, anime and CGI{_}. \[...\] London: Flame Tree 2004, 382 S
\\
Beckerman, Howard: _Animation: The whole story{_}. Mattituck, N.Y. Amereon House 2001.
Rev. ed. New York: Allworth Press 2003, x, 309 S.
Inhalt: An animators history of animation -- The curtain rises -- The studios are born -- Jolson speaks, Mickey squeaks -- Cartoonlands call to action -- From Bullwinkle to Bart, and beyond -- The story takes shape -- Drawing : the bare bones -- Character creation -- Storytelling with animation -- Direction -- Layout : all the worlds a stage -- The story comes to life -- Animation: moments in time -- Locomotion : the illusion of movement -- Using color -- Filming, frame by frame -- The soundtrack and editing -- The story goes forth -- Computer animation -- The business of animation.
\\
Beiman, Nancy: _Prepare to board! Creating story and characters for animated features and shorts{_}. Amsterdam/Boston: Elsevier Focal Press 2007, xi, 317 S.
\\
Bendazzi, Giannalberto: _Topolino e poi. Cinema d'animazione dal 1888 ai giorni nostri{_}. Milano: Ed. il Formichiere 1978, 250 S. (Cinema.).
Frz.: _Le film d'animation. 1{_}. Traduction: Geneviève Vidal. Grenoble: La Pensée sauvage 1986, 190 S.
Engl.: Bendazzi, Giannalberto: _Cartoons: One hundred years of cinema animation{_}. Trans. Anna Taraboletti-Segre. Bloomington, Ind.: Indiana University Press 1994. 
\\
Bendazzi, Giannalberto: _Le film d'animation. Du dessin animé à l'image de synthèse{_}. Grenoble: La Pensée Sauvage, JICA 1985, 190 S.
\\
Bendazzi, Giannalberto:{_}Cartoons. Cento anni di cinema d'animazione{_}. Venezia: Marsilio 1988, xxiv, 677 S. (Cinema.).
2. ed. riveduta e ampl. 1992, xxiv, 690 S.
Engl.: _Cartoons: One Hundred Years of Cinema Animation{_}, Bloomington / Indianapolis, IN: Indiana University Press 1994, xxiii, 514 S..
Repr. 2003. 
Repr. 2006, xxiii, 514 S.
Also London: Libbey 2006.
Span.: Bendazzi, Giannalberto / Rosa, Emilio de la: _Cartoons: 110 años de cine de animación{_}. Madrid: Ocho y Medio 2003.
Frz.: Bendazzi, Giannalberto: _Cartoons: Le cinéma d'animation, 1892-1992._ Paris: Liana Levi 1991.
\\
Bendazzi, Giannalberto: _I continenti dell'animazione{_}. Milano: CUEM 2002, 34 S.
\\
Bendazzi, Giannalberto / Cecconello, Manuele / Michelone, Guido: _Coloriture. Voci, rumori, musiche nel cinema d'animazione{_}. Bologna: Ed. Pendragon 1995, 357 S. (Le sfere. 4.).
\\
Bendazzi, Giannalberto / Michelone, Guido (a cura di): _Il movimento creato. Studi e documenti di ventisei saggisti sul cinema d'animazione{_}. Torino: Pluriverso 1993, 219 S. 
\\
Bendazzi, Giannalberto / Scrimitore, Raffaella (a cura di): _Il cinema d'animazione e la nuova critica{_}. Milano: CUEM \[Cooperativa Universitaria Editrice Milanese\], 2006, 203 S. (Tra spettacolo e drammaturgia.).
\\
Biesenbach, Klaus (a cura di): _Animations{_}. \[Katalog. Texts: Giannalberto Bendazzi ...\]. Berlin: KW - Institute for Contemporary Art, Kunst-Werke Berlin 2001, 189 S. 
Catalogue, published to accompany the Exhibition Animations, P.S. 1 Contemporary Art Center, a MoMA affiliate, New York, October 14, 2001 to January 13, 2002 / Kunst-Werke, KW - Institute for Contemporary Art, Berlin, February 8, 2003 to April 6, 2003.
\\
Bendazzi, Giannalberto / Scrimitore, Raffaella (a cura di): _Il cinema d'animazione e la nuova critica{_}. Supervisione grafica \[di\] Gabriele Fantoni. Milano: CUEM 2006, 203 S. (Tra spettacolo e drammaturgia.).
\\
Blanc, Mel / Bashe, Philip: _That's not all folks{_}. New York, NY: Warner Books 1988, xi, 275 S.
\\
Braak, Menno ter: _De absolute film{_}. Rotterdam: W.L. en J. Brusse 1931, 50 S. (Monografieën over filmkunst. 8.).
\\
Brasch, Walter M.: _Cartoon monickers: An insight into the animation industry{_}. Bowling Green, Ohio: Bowling Green University Popular Press 1983, xii, 180 S.
\\
Brierton, Tom: _Stop-motion puppet sculpting. A manual of foam injection, build-up, and finishing techniques{_}. Jefferson, N.C.: McFarland 2004, ix, 74 S.
\\
Brierton, Tom: _Stop-motion filming and performance. A guide to cameras, lighting and dramatic techniques{_}. Jefferson \[...\]: McFarland 2006, 98 S.
\\
Buchan, Suzanne (Hrsg.): _Trickraum - Spacetricks{_}. Basel: Merian / Christoph 2005, 143 S.
Katalog zur Ausstellung: Museum für Gestaltung Zürich, 3. August bis 13. November 2005.
\\
Buchan, Suzanne, Surman, David, Ward, Paul (Hrsg.): _Animated 'Worlds'{_}. Bloomington, Ind./ Eastleigh: Indiana University Press / John Libbey 2006, xiii, 207 S. 
\\
Bulloch, Ivan: _Cartoons & animation{_}. \[Texte von Ivan Bulloch, Shona Hynes, Jeffery Lewis.\] \[Illustrators/model-makers Peter Bull, Ivan Bulloch\]. New York/London: Watts 1998, 31 S. (Art & craft skills.).
Repr. 2002.
\\
Canemaker, John (ed.): _Storytelling in animation. An anthology{_}. (= The Art of the animated image. 2.) Los Angeles: American Film Institute 1988.
Published in conjunction with the second Annual Walter Lantz Conference on Animation \[held on June 11, 1988 at the Hitchcock Theater, Universal Studios\]. 
\\
Cavalier, Stephen: _The world history of animation{_}. London: Aurum Press 2011, 416 S. (Aurum Entertainment.).
Zugl.: Berkeley: University of California Press 2011.
Inhalt: Introduction - Brief Histories of World Animation - Pre-1900: The Origins of Animation - 1900-1927: Film Animation: The Era of Experimentation - 1928-1957: Film Animation: The Golden Age of Cartoons - 1958-1985: The Television Age - 1986-2010: The Digital Dawn - Resources - Glossary - Academy Award Winners - Animation books and websites.
\\
Cavallaro, Dani: _Anime Intersections: Tradition and Innovation in Theme and Technique{_}. Jefferson, NC / London: McFarland  2007, 209 S.
\\
Cavallaro, Dani: _Anime and memory. Aesthetic, cultural and thematic perspectives{_}. Jefferson, N.C. \[...\]: McFarland 2009, vii, 193 S.
\\
Cholodenko, Alan (ed.): _The Illusion of Life: Essays on Animation{_}, Sydney: Power 1991, 312 S.
\\
Cholodenko, Alan (Hrsg.): _The Illusion of Life II: More Essays on Animation{_}. Sydney: Power / London: Turnaround \[distrib.\] 2007, 576 S.
Rev. (Susan Napier: Animation beyond the Boundaries) in: _Mechademia_ 5, 2010, S. 344-345. 
\\
Clarke, James: _Animated Films{_}. London: Virgin Books 2004, 298 S.
Cook, Benjamin / Thomas, Gary (Hrsg.): _The Animate! book: Rethinking animation{_}, London: LUX Publications & Arts Council England 2006, 156 S., 1 DVD.
\\
Cotte, Olivier: _Il était une fois le dessin animé et le cinéma d'animation{_}. Paris: Dreamland 2001, 344 S.
\\
Culhane, John / Kaestle, David: _Special effects in the movies: How they do it._ New York: Ballantine Books 1981, 184 S.
\\
Culhane, Shamus: _Talking animals and other people{_}. New York: St. Martin's Press 1986, xii, 463 S.
Autobiographie.
\\
Culhane, Shamus: _Animation from script to screen{_}. New York: St. Martin's Press 1988, xv, 336 S.
\\
Dahmen-Ingenhoven, Regina: _Animation. Look, Form Follows Fun{_}. Hrsg. von Kristin Feireiss. Basel: Birkhäuser 2004, 294 S.
Zugl.: Aachen, Techn. Hochsch., Diss., 2000: _Orte der Animation, Architektur für die Freizeit am Ende unseres Jahrhunderts._
\\
Daniels, Dieter / Naumann, Sandra (eds.): _Audiovisuology Compendium See This Sound. An Interdisciplinary Survey of Audiovisual Culture{_}. \[On the occasion of the project See This Sound, jointly realized by the Boltzmann Institute Media.Art.Research and the Lentos Art Museum Linz...\] Köln: König 2010, 452 S.
\\
Dederen, Eric / Verheylewegen, Serge / Moins, Philippe: _Ça bouge... Jeux optiques et films d'animation{_}. Tournai \[...\]: Casterman 1987, 48 S.
\\
Edera, Bruno \[...\]: _Animation, der getrickste Film und seine Möglichkeiten{_}. \[Ausstellung, Kunstgewerbemuseum Zürich, 17.6.-16.9.1972.\] Texte: Buchmann, Mark / Toeplitz, Jerzy / Edera, Bruno. Zürich: Das Museum 1972, 54 S., 3 Taf. ( Wegleitung des Kunstgewerbemuseums der Stadt Zürich. 287.).
\\
Edera, Bruno: _Full length animated feature films{_}. London. New York: Focal Press 1977, 198 S. (The library of animation technology.). 
\\
Enticknap, Leo: _Moving image technology: From zoetrope to digital._ London/New York: Wallflower 2005, viii, 280 S.
\\
Evans, Gareth / Curtis, David: _Art and animation{_}. Ed.: Paula Snyder. London: Channel 4 Television 1999, 28 S.
\\
Faber, Liz / Walters, Helen: _Animation unlimited. Innovative short films since 1940{_}. London: Laurence King, in association with Harper Design International 2003, 192 S.
\\
Finch, Christopher: _Special effects: Creating movie magic{_}. New York: Abbeville Press 1984, 252 S. 
\\
Finch, Christopher / Rosenkrantz, Linda: _Sotheby's guide to animation art{_}. New York: H. Holt 1998, vi, 198 S.
\\
Friedrich, Andreas / Koebner, Thomas (Hrsg.): _Animationsfilm{_}. Stuttgart: Reclam 2007, 371 S. (Filmgenres.)/(Reclams Universal-Bibliothek. 18405.).
\\
Furniss, Maureen: _Art in Motion: Animation Aesthetics{_}. Sydney: John Libbey 1999, x, 278 S.
Inhalt: Fundamentals -- Introduction to animation studies -- Foundations of studio practices -- Alternatives in animation production -- General concepts: Mise-en-scene -- General concepts: Sound and structural design -- Classical-era Disney Studio -- Full and limited animation -- Stop-motion animation -- Animation and digital media -- Studies in Animation Aesthetics Institutional regulators -- Animation audiences -- Issues of representation -- Considering form in abstract animation.
\\
Furniss, Maureen (ed.): _Animation : art & industry{_}. Eastleigh: John Libbey 2009, vii, 240 S.
\\
Gehman, Chris / Reinke, Steve (Hrsg.): _The Sharpest Point: Animation at the End of Cinema{_}. Toronto: YYZ Books 2005, 287 S.
\\
Giesen, Rolf / Meglin, Claudia (Hrsg.): _Künstliche Welten: Tricks, Special Effects und Computeranimation im Film von den Anfängen bis heute{_}, Hamburg: Europa-Verlag 2000, 237 S. (Filmbibliothek.).
Anläßlich der gleichnamigen Ausstellung im Filmmuseum Berlin, Sony-Center am Potsdamer Platz.
\\
Giesen, Rolf / Abbott, L.B. / Prinzler, Hans Helmut: _Special effects. King Kong, Orphée und Die Reise zum Mond{_}. Ebersberg: Edition 81/2 1985, 205 S.
Hrsg. von d. Stiftung Deutsche Kinemathek zur Retrospektive der 35. Internationalen Filmfestspiele Berlin, 1985.
\\
Gfader, Verina: _Adventure-Landing: A Compendium of Animation{_}. Berlin: Revolver Publishing 2011, 292 S.
Compendium on the subject of animation. The project brings together materials from experimental and non-commercial domains; it looks at the use of the medium of animation and presents new critical receptions within high and low cultural and artistic production. It traces questions of a time image, the doubling that is integral to image formation, and notions of territorial and urban constructions within the discourse of animation history.
Includes conversations with artists, architects and researchers Takehito Deguchi, Koji Yamamura, Masaki Fujihata, Stephen Wilson, Yoshiharu Tsukamoto, Kenta Kishi, Saki Satom, Chikara Matsumoto, Naoyuki Tsuji, Hiromitsu Murakami, Takahiro Hayakawa and Toshimaru Nakamura address specific dimensions of Japanese animation, and make the claim for a structural coherence between animation and geographical, institutional and social ideas. In this duality of content and time, the book becomes a multilayered object. The format of the compendium - bookwork and map at once - enables a virtual journey in which the reader travels across various realms of a focused study.
\\
Gilland, Joseph: _Elemental magic. The art of special effects animation{_}. Oxford: Focal Press 2009, xxvi, 302 S.
\\
Graça, Marina Estela: _Entre o olhar e o gesto. Elementos para uma poética da imagem animada{_}. São Paulo: Editorial SENAC 2006, 222 S.
Zugl.: Lisboa, Univ. Nova, Fac. de Ciências Sociais e Humanas, Diss., 2001.
\\
Graillat, Ludovic (éd. par): _De "Tron" à "Matrix", réflexions sur un cinéma d'un genre nouveau{_}. Actes du colloque des 2 à 4 février 2004 à la Cinémathèque de Toulouse. Toulouse: SCÉRÉN-CRDP Midi-Pyrénées \[...\] 2006, 220 S. (Documents, actes et rapports pour l'éducation.).
\\
Grant, John: _Masters of Animation{_}. London: Batsford 2001, 208 S.
\\
Greene, Joyce / Reber, Deborah (eds.): _Drawing insight. Communicating development through animation{_}. Penang \[Malaysia\]: Southbound 1996, x, 118 S.
\\
Hahn, Don: _Animation magic. A behind-the-scenes look at how an animated film is made{_}. New York, NY: Disney Press 2000, 95 S.
\\
Halas, John: _Film animation: A simplified approach{_}. Paris: Unesco 1976, 92 S. (Monographs on communication technology and utilization. 2.).
\\
Halas, John \[...\]: _Visual scripting{_}. London/New York: Focal Press 1976, 144 S. (The Library of animation technology.).
\\
Halas, John: _Graphics in motion. Vom Trickfilm bis zur Holografik. / From the special effects film to holographics{_}. \[Hrsg. in Zsarb. mit Novum - Gebrauchsgraphik, Internat. Monatszeitschr. für Kommunikationsdesign. Dt. Übers.: Veronica Kay\] München: Bruckmann, 1981, 206 S. (Novum Press.).
Neuausg.: New York: Van Nostrand Reinhold 1984.  
\\
Halas, John: _Masters of animation{_}. London: BBC Books 1987, 136 S.
\\
Halas, John: _The contemporary animator{_}. London/Boston: Focal Press 1990, 168 S.  
\\
Halas, John / Manvell, Roger: _The technique of film animation{_}. London: Focal Press 1959, 346 S.
2nd ed. London: Focal Press 1968 (The Library of communication techniques.).
4th ed. London: Focal Press 1976, 351 S., 8 Taf.
Span.: _La técnica de los dibujos animados{_}. Barcelona: Omega 1980.
\\
Halas, John / Manvell, Roger: _Art in movement. New directions in animation{_}. New York: Hastings House / London: Studio Vista 1970, 192 S. (Visual communication books.).
\\
Halas, John / Manvell, Roger: _Design in motion{_}. New York: Hastings House, 1962, 160 S. (Visual communication books.).
\\
Halas, John / Martin-Harris, Roy: _Audio-visual techniques for industry{_}. \[Prepared for United Nations Industrial Development Organization by John Halas and Roy Martin-Harris.\] New York: United Nations, 1978, ix, 84 S. (Development and transfer of technology series. 6.).
\\
Haller, Robert A. (ed.): _First Light{_}. New York: Anthology Film Archives 1998, 108 S.
Online: [{+}www.roberthaller.com/firstlight/+|http://www.roberthaller.com/firstlight/]{+}.+
\\
Harryhausen, Ray / Dalton, Tony: _A century of stop motion animation: From Méliès to Aardman{_}. New York: Watson-Guptill 2008, 240 S.
\\
Hein, Birgit / Herzogenrath, Wulf (Hrsg.): _Film als Film - 1910 bis heute: Vom Animationsfilm der zwanziger zum Filmenvironment der siebziger Jahre{_}, Stuttgart: Hatje 1977, 268 S.
2. Aufl. 1978.
Catalog of an exhibition held at the Kölnischer Kunstverein, Köln.
Engl., leicht abweichende Ausg.: Curtis, David / Drummond, Philip / Francis, Richard (eds.): _Film as Film: Formal Experiment in Film, 1910-1975{_}. \[Katalog zur Ausstellung in der Hayward Gallery South Bank, London SE1, 3 May-17 June 1979.\] London: Arts Council of Great Britain 1979, 152 S.
\\
Hémardinquer, Pierre: _Technique des effets spéciaux pour le film et la vidéo{_}. Nouv. éd. augm. et actualisée par Gilles Penso. Paris: Dujarric / If diff. 1993, 287 S.
\\
Hertz, Betti-Sue (curator): _Animated painting{_}. \[Texte:\]Buchan, Suzanne / Hertz, Betti-Sue / Manovich, Lev. San Diego, CA: San Diego Museum of Art 2007, 139 S., 1 CD-ROM.
Begleitband zur Ausstellung im San Diego Museum of Art, 13.10.2007 bis 13.1.2008; .Centro Cultural Tijuana, Tijuana, Mexico, 1.10.-31.12.2008; Faulconer Gallery, Grinnell College, Grinnell, Iowa, 2.3-16.4.2009.
\\
Hilty, Greg / Pardo, Alona (eds.): _Watch me move. The animation show{_}. London/New York: Barbican / Merrell 2011, 223 S.
Anläßlich einer Ausstellung in der Barbican Art Gallery, 15.6.-11.9.2011.
 Inhalt: Object, Dream and Image in Animation / Greg Hilty (10-17) - The Toolbox of Technology and Technique / Paul Wells (18-27) - Ghosts in the Machine. Experiencing Animation / Suzanne Buchan (28-39) - Apparitions - Characters - Superhumans - Fables - Fragments - Structures - Visions.
\\
Hooks, Ed: _Acting for animators: A complete guide to performance animation{_}. Portsmouth, NH: Heinemann 2000. 
Rev. ed. Portsmouth, NH: Heinemann, 2003.
New ed.: New York/London: Routledge 2011, 176 S.
Hooks uses basic acting theory to explain everything from character movement and facial expressions to interaction and scene construction. Just as acting on film and on stage are very different disciplines, so is the use of acting theory in creating an animated character, scene or story. Acting for Animators is full of essential craft tips from an acting master.
\\
Hooks, Ed: _Acting in animation: A look at 12 films{_}. Portsmouth, NH: Heinemann 2005, xiii, 173 S.
Zu den Filmen: _Charlotte's Web -- Dumbo -- Pinocchio -- Treasure planet -- Monsters, Inc. -- The Emperor's new groove -- The Grave of the fireflies -- Toy story II -- Spirited away -- The hunchback of notre dame -- The road to el dorado -- Tarzan._
\\
 Jean, Marcel: _Le langage des lignes et autres essais sur le cinéma d'animation{_}. Nouvelle éd. Laval (Québec): Les 400 coups 2007, 174 S. (Cinéma.).
Zuerst 2006. In Frankreich vertrieben durch Seuil (Paris).
\\
Joubert-Laurencin, Hervé: _La lettre volante. Quatre essais sur le cinéma d'animation{_}. Paris: Presses de la Sorbonne Nouvelle 1997, 348 S. (L�foeil vivant.).
\\
Jovanovic, Zoran: _Karikatura, Crtani film. / Cartoon, Animated Film. / La caricature, le dessin animé{_}. Beograd: Muzej Primenjene Umetnosti \[...\] 1981, 146 S.
\\
Kaboth, Peter: _Ästhetik der Bewegung im Animationsfilm. Eine Analyse der Konventionen und Standards{_}. Saarbrücken: Verlag Dr. Müller 2008, 60 S.
\\
Keefer, Cindy / The iotaCenter (ed.): _Kinetica 3: Abstraction - Animation - Music{_}. L.A.: The iotaCenter 2001, [{+}www.iotacenter.org/static/k3catalog.pdf+|http://www.iotacenter.org/static/k3catalog.pdf].
\\
Kelts, Roland: _Japanamerica: How Japanese pop culture has invaded the U.S.{_}. Basingstoke: Palgrave Macmillan 2006, xi, 238 S.
\\
Kilmer, David: _The animated film collector's guide: Worldwide sources for cartoons on video and laserdisc{_}. London: Libbey 1997, x, 212 S.
\\
Kinder, Marsha: _Playing with power in movies, television, and video games. From Muppet Babies to Teenage Mutant Ninja Turtles{_}. Berkeley: University of California Press 1991, xi, 266 S.
\\
Korkis, Jim / Cawley, John : C{_}artoon confidential: Everything you always wanted to know about animation but didn't know you wanted to know it._ Introduction by Bill Hannah. Westlake Village, Calif. Malibu Graphics, Inc. 1991, 170 S. 
\\
Krasner, Jon S.: _Motion graphic design, fine art animation: Principles and practice{_}. Boston: Focal Press / Amsterdam/London: Elsevier 2004, xv, 386 S.
Krasner, Jon S.: _Motion graphic design: Applied history and aesthetics{_}. 2nd ed. Amsterdam; Boston: Focal Press 2008.
\\
Laloux, René: _Ces dessins qui bougent: 1892-1992 cent ans de cinéma d'animation{_}. Paris: Dreamland 1996, 200 S. (Coll. Image par image.).
\\
Lambry, Robert: _Le Langage des lignes{_}. \[Manuel de dessin.\] Paris: Impr.-édit. de la Bonne Presse 1933, zweispaltig, 127 S.
\\
Laybourne, Kit: _The animation book: A complete guide to animated filmmaking, from filp-books to sound cartoons{_}. New York: Crown 1979, 272 S.
New digital ed.: _The animation book: A complete guide to animated filmmaking from flip-books to sound cartoons to 3-D animation{_}. New York: Three Rivers Press 1998, xix, 426 S.
\\
Leduc, Yves / Berthiaume, René / Aubry, François: _Le manuel de "L'homme de papier": Initiation à l'histoire et aux techniques du cinéma d'animation._ Textes additionels de Louise Beaudet et Jacques Giraldau. Montréal: Office national du film du Canada 1987, 143 S. + Beilagen.
\\
LeGrice, Malcolm: _Abstract Film and beyond{_}. London: Studio Vista Publishers 1977, 160 S.
Zugl. Cambridge, Mass.: The MIT Press 1977.
Paperback ed.: Cambridge, Mass.: The MIT Press 1981.
\\
Leslie, Esther: _Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde{_}. New York/London: Verso 2002, viii, 344 S, \[8\] Taf.
Inhalt: preclusion: experi-mental -- zeros, dots and dashes: drawing and the european avant-garde -- mickey mouse, utopia and walter benjamin -- leni and walt: deutsch-amerikanische freundschaft -- eye-candy and adorno's silly symphonies -- siegfried kracauer, dumbo and class struggle -- eisenstein shakes mickey's hand in hollywood -- techne-colour -- winding up: a flat ending.
\\
Levitan, Eli L.: _Animation art in the commercial film{_}. New York: Reinhold Pub. Corp. 1960, 128 S.
\\
Leyda, Jay (ed.): _Eisenstein on Disney{_}. Translated by Alan Upchurch. Calcutta: Seagull 1986, 101 S.
Ursprünglich russ.
Repr.: London: Methuen 1988, 101 S. (Series of Eisenstein texts. 3.).
\\
Lo Duca \[, Giuseppe Maria\]: _Le dessin animé. Histoire, esthétique, technique{_}. Paris: Prisma (impr. de Lang, Blanchong) 1948, 148 S.
Repr.: Plan-de-la-Tour: Editions d'Aujourd'hui 1982.
\\
Lotman, Jeff / Smith, Jonathan: _Animation art: The early years, 1911-1953._ Atglen, Pa.: Schiffer 1995, 427 S. (A Schiffer book for collectors.).
\\
Lotman, Jeff / Smith, Jonathan: _Animation art: The later years, 1954-1993{_}.  Atglen, PA: Schiffer Pub. 1996, 396 S. (A Schiffer book for collectors.).
\\
Lotman, Jeff: _Animation art at auction: Since 1994._ With the assistance of Caroline Wylie. Atglen, PA: Schiffer 1998, 208 S. (A Schiffer book for collectors.).
\\
Lutz, Edwin George: _Animated cartoons; how they are made, their origin and development{_}. New York: C. Scribner's sons 1920.
Repr.: London: Chapman 1926. 
Repr.: Bedford, MA: Applewood Books 1998, xx, 261 S.
\\
Madsen, Roy P.: _Animated film; concepts, methods, uses{_}. New York, Interland Pub. 1969, xiv, 234 S. 
\\
Maltin, Leonard: _Of mice and magic. A history of American animated cartoons{_}. New York: McGraw-Hill, 1980, ix, 470 S., \[8\] S.
New, updated ed. New York: Crown 1984.
Rev. ed. New York: New American Library, 1987, ix, 485 S. (A Plume book.).
Dt.: _Der klassische amerikanische Zeichentrickfilm. Der berühmteste Film der Welt und seine Geschichte{_}. Übers.: Bernd Eckhardt, Claudia Walter. München: Heyne 1982, 591 S. (Heyne-Filmbibliothek. 42.).
\\
Manvell, Roger: _The animated Film._ With pictures from the film "Animal Farm" by Halas & Batchelor. London: Sylvan Press 1954, 63 S.
\\
Marinčevska, Nadežhda: _Kvadrati na vaobraženieto: estetika na animacionnite techniki{_}. Sofia: Titra 2006, 296 S.
Mit einer Zusammenfassung in engl. Sprache: Marinchevska, Nadezhda: Frames of Imagination: Aesthetics of Animation Techniques.
\\
Marko-Nord, Adam / Jurander, Claes (eds.): _Om animation{_}. Göteborg: Filmkonst 2002, 174 S. (Filmkonst. 81.).
\\
McCloud, Scott: _Understanding comics._ \[Umschlagtitel: _The invisible art{_}.\] \[Writing and art: Scott McCloud; ed.: Mark Martin.\] Northampton, MA: Tundra Pub. 1993, 215 S. 
Zugl.: Kitchen Sink Press 1993.
Neuausg.: New York: HarperPerennial 1994 (A Kitchen Sink Book.).
Dt.: _Comics richtig lesen{_}. \[{_}Die unsichtbare Kunst{_}.\] Hamburg: Carlsen 2007, 224 S. (Carlsen Comics.).
Dt. zuerst 1994.
\\
Miller, Frederic P. / Vandome, Agnes F. / McBrewster, John: _Traditional animation. Multiplane camera, rotoscoping. live-action/ animated film, special effect computer-generated imagery, rubber hose animation, post-production, storyboard, model sheet, cinematographer{_}. Beau Bassin: Alphascript Publishing 2009, 59 S. 
\\
Moins, Philippe: _Les Maîtres de la pâte{_}. Préf. de Noël Godin. Paris: Dreamland 2001., 143 S. (Coll. Image par image.).
\\
Moscati, Massimo: _Comics und Film{_}. \[Übers., bearb., u. erg. von Angelika Drexel.\] Frankfurt/Berlin: Ullstein 1988, 222 S. (Ullstein-Buch. 36560.)/( Ullstein-Sachbuch.).
\\
Mulack, Thomas / Giesen, Rolf: _Special visual effects. Planung und Produktion{_}. Gerlingen: Bleicher 2002, 141 S. (Produktionspraxis. 10.).
\\
Murray, Robin L. / Heuman, Joseph K.: _That's All Folks? Ecocritical Readings of American Animated Features{_}. Linclon, NE: University of Nebraska Press 2011, 296 S.
 Although some credit the environmental movement of the 1970s, with its profound impact on children�fs television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as _That�fs All Folks?_ makes clear. Countering the view that the contemporary environmental movement�\and the cartoons it influenced�\came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From _Felix the Cat_ cartoons to Disney�fs beloved _Bambi_ to Pixar�fs _Wall-E_ and James Cameron�fs _Avatar{_}, this volume shows how animated features with environmental themes are moneymakers on multiple levels�\particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi�fs X-rated _Fritz the Cat_ and R-rated _Heavy Traffic_ and _Coonskin{_}, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema. 
Neuwirth, Allan: _Makin' toons: Inside the most popular animated TV shows and movies{_}. New York: Allworth Press 2003, xiii, 272 S. 
\\
Noake, Roger: _Animation: A guide to animated film techniques{_}. London: Macdonald Orbis 1988, 159 S. 
\\
O'Grady, Gerald/Bruce Posner (eds.): _Articulated Light: The Emergence of Abstract Film in America{_}. N.Y.: Anthology Film Archives 1995, 15 S.
Online: [{+}www.vasulka.org/archive/4-20a/Articulated(6013).pdf+|http://www.vasulka.org/archive/4-20a/Articulated(6013).pdf].
\\
Penso, Gilles: _Les effets spéciaux de plateau{_}. Marseille: \[s.n.\] 1992, 212 Bl.
\\
Penso, Gilles: _Stop-motion. L'Animation image par image dans le cinéma fantastique{_}. Paris: Dreamland 2002, 367 S.
\\
Perisic, Zoran: _The animation stand{_}. New York: Hasting House 1976, 168 S.(Media manuals.)/(A Focal Press book.).
Neuaufl.: _The animation stand - rostrum camera operation{_}. London \[...\]: Focal Press 1980, 168 S. ( Media manuals.).
Frz.: _La prise de vue en animation. Techniques du banc d'animation{_}. Trad. de l'anglais par Michel Marion. Paris: Dujarric 1985, 168 S. 
\\
Perisic, Zoran: _The focalguide to shooting animation{_}. London/New York: Focal Press 1978, 224 S.
\\
Perisic, Zoran: _Special optical effects in film{_}. London \[...\]: Focal Press 1980, 185 S.
\\
Perisic, Zoran: _Visual effects cinematography{_}. .Boston \[...\]: Focal Press 2000, xi, 274 S. 
\\
Pilling, Jayne (ed.): _Women and animation. A compendium{_}. London: British Film Institute, Exhibition & Distribution Division 1992, 144 S. 
\\
Pilling, Jayne (ed.): _A reader in animation studies{_}. \[A selection of papers presented at the annual conferences of the Society of Animation Studies (SAS).\] London: Libbey 1997, xviii, 283 S.
Inhalt: Introduction, by Jayne Pilling -- _New technologies_ -- What is animation and who needs to know? An essay on definitions -- 'Reality' effects in computer animation -- Second-order realism and post-modern aesthetics in computer animation Andy Darley -- _Text and context: Analyses of individual films_ -- The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' -- Narrative strategies for resistance and protest in Eastern European animation -- Putting themselves in the pictures: Images of women in the work of Joanna Quinn -- An analysis of Susan Pitt's Asparagus and Joanna Priestley's All My Relations -- Clay animation comes out of the inkwell: The Fleischer brothers and clay animation -- Bartosch's The Idea -- Norman McLaren and Jules Engel: Post-modernists -- Disney, Warner Bros. and Japanese animation -- The thief of Buena Vista: Disney's Aladdin and Orientalism -- Animatophilia, cultural production and corporate interests: The case of Ren and Stimpy -- Francis Bacon and Walt Disney revisited -- Body consciousness in the films of Jan Svankmajer -- Eisenstein and Stokes on Disney: Film animation and omnipotence -- Towards a post-modern animated discourse: Bakhtin, intertextuality and the cartoon carnival -- Restoring the aesthetics of early abstract films -- Resistance and subversion in animated films of the Nazi era: The case of Hans Fischerkoesen -- European influences on early Disney feature films -- Norm Ferguson and the Latin American films of Walt Disney -- Table of Contents provided by Blackwell's Book Services and R.R. Bowker. Used with permission.
\\
Pinteau, Pascal: _Effects spéciaux. Un siècle d'histoires{_}. Genèva: Minerva 2003, 567 S.
Engl.: _Special Effects. An Oral History{_}. Interviews with 37 masters spanning 100 years. Transl. from the French by Laurel Hirsch. New York: Harry N. Abrams 2004, 563 S. 
\\
Poncet, Marie Thérèse. _Dessin animé, art mondial{_}. \[Paris\]: Le Cercle du livre, 1956.
Neuausg.: _Dessin animé. Art musical et mondial: 40 ans après{_}. Voiron: M.-T. Poncet 1998, 246 S. \[64\] Taf. (L'âge d'or du dessin animé.).
\\
Poncet, Marie-Thérèse: _L'esthétique du dessin animé{_}. Préface de Et. \[Etienne\] Souriau. Paris: Nizet 1952, 279 S.
\\
Poncet, Marie-Thérèse: _Le dessin animé{_}. Monaco: Ed. du Cap 1968.
Neuausg.: _Dessin animé. Art phénoménal. Les techniques, le matériel d'animation pour un nouvel âge d'or{_}. Voiron: M.-T. Poncet 1998, 253 S. \[56\] Taf. (L'âge d'or du dessin animé.).
\\
Poncet, Marie-Thérèse / Réau, Louis: _Etude comparative des illustrations du moyen-âge et des dessins animés{_}. Préface de Louis Réau. Paris: Nizet 1952, 150 S.
Zugl.: Paris, Univ., Diss., 1952.
\\
Poncet, Marie-Thérèse: _Dessin animé. Angleterre, Canada, USA{_}. Voiron: M.-T. Poncet 1998, 386 S. \[80\] Taf. (L'âge d'or du dessin animé.).
Poncet, Marie-Thérèse: _Dessin animé. De l'Autriche aux Balkans, les Carpates{_}. Voiron: M.-T. Poncet 1998, 338 S. \[50\] Taf. (L'âge d'or du dessin animé.).
\\
Powell, William F. / Morgan, Chad / Foster, Walter T.: A{_}nimation project book{_}. Laguna Hills, CA: Walter Foster Pub. 2001, 32 S., 1 DVD.
Rev. ed. of: _Cartoon animation: basic skills{_}. Originally written and illustrated by Walter T. Foster, 1942; rev. by William F. Powell in 1996.
\\
Priebe, Ken A.: _The art of stop-motion animation{_}. Boston, MA: Thomson Course Technology PTR 2007, xvi, 340 S., 1 CD-ROM.
\\
Purves, Barry: _Stop motion: Passion, process and performance{_}. Oxford \[...\]: Elsevier/Focal 2008, xix, 347 S.
\\
Purves, Barry: _Stop-motion{_}. Lausanne \[...\]: AVA Publ. 2010, 199 S. (Basics animation.. 4.).
\\
Rickitt, Richard: _Special effects: the history and technique{_}. London: Virgin Books 2000, 318 S.
Zugl. New York: Billboard Books 2000.
Nachdr.: London: Aurum Press 2007, 384 S.
\\
Rickitt, Richard: _Designing movie creatures and characters. Behind the scenes with the movie masters{_}. Amsterdam \[...\]: Elsevier 2006, 176 S.
Über die Gestaltung phantastischer Gestalten im Special-Effects-Kino.
\\
Robbins, Trina: _A century of women cartoonists{_}. Northampton, Mass.: Kitchen Sink Press 1993, 183 S.
\\
Robinson, David (Hrsg.): _Masterpieces of animation 1833-1909. Catalogue of the exhibition arranged by the author at the 10th Pordenone Festival{_}. Gemona: Le Giornate del Cinema Muto / La Cineteca del Friuli 1992, 128 S. (Griffithiana. 14,43.).
Catalogue of the exhibition at the 10th Pordenone Silent Film Festival, October 12-19, 1991.
\\
 Robinson, Chris: _Unsung heroes of animation{_}. Eastleigh: John Libbey 2005, vi, 265 S.
\\
 Robinson, Chris: _Animators unearthed. A guide to the best of contemporary animation{_}. New York: Continuum 2010, xii, 241 S.
\\
Roffat, Sébastien: _Animation et propagande. Les dessins animés pendant le Seconde Guerre mondiale{_}. Paris \[...\]: L'Harmattan 2005, 325 S. (Champs visuels.).
\\
Rondolino, Gianni: _Storia del cinema d'animazione{_}. Torino: G. Einaudi 1974, xxxix, 430 S., 34 Taf. (Saggi. 534.).
Bibliography, S. 369-398.
2nd. ed.: _Storia del cinema d'animazione: Dalla lanterna magica a Walt Disney da Tex Avery a Steven Spielberg{_}. 2nd ed. Torino: UTET, 2003 (Collana di cinema.).
\\
Rubin, Susan: _Animation, the art and the industry{_}. Englewood Cliffs, N.J.: Prentice-Hall 1984, 158 S. (The art \[and\] design series.)/(A Spectrum book.).
\\
Russett, Robert / Starr, Cecile (eds.): _Experimental animation: An illustrated anthology{_}. New York: Van Nostrand Reinhold Co. 1976, 224 S.
Rev. ed.: _Experimental animation: Origins of a new art{_}. New York, N.Y.: Da Capo Press 1988.
\\
Sampson, Henry T.: _That's enough, folks. Black images in animated cartoons, 1900-1960._ Lanham, Md./London: Scarecrow Press 1998, viii, 249 S.
\\
Schamoni, Victor. _Das Lichtspiel: Möglichkeiten des absoluten Films{_}. Hamm: Reimann 1936, 92 S. 
Zugl.: Münster, Univ., Diss., 1936.
\\
Scheugl, Hans / Schmidt, Ernst: _Eine Subgeschichte des Films: Lexikon des Avantgarde-, Experimental- und Undergroundfilms. 1.2._ Frankurt: Suhrkamp 1974, 1315 S. (Edition Suhrkamp. 471.).
\\
Schobert, Walter / Leitner, Angelika / Nitschke, Uwe (Hrsg.): _Der deutsche Avant-Garde Film der 20er Jahre. / The German Avant-Garde Film of the 1920's{_}. München: Goethe-Institut 1989, 127 S.
\\
Schwebel, Florian: _Von „Fritz the Cat�g bis „Waltz with Bashir�g. Der Animationsfilm für Erwachsene und seine Verwandten{_}. Marburg: Schüren 2010, 171 S.
\\
Seeber, Guido: _Der Trickfilm in seinen grundsätzlichen Möglichkeiten: Eine praktische und theoretische Darstellung der photographischen Filmtricks{_}. Berlin: Der Lichtbildbühne, 1927, vi, 286 S. (Bücher der Praxis. 3.)/(Der praktische Kameramann. 2.).
Faksimile-Ausg.: _Der Trickfilm in seinem grundsätzlichen Möglichkeiten. Eine praktische und theoretische Darstellung der photographischen Filmtricks. Der praktische Kameramann{_}. Frankfurt am Main: Deutsches Filmmuseum 1979, vi, 286 S. (Guido-Seeber-Werkausgabe. 1.)/(Schriftenreihe des Deutschen Filmmuseums Frankfurt am Main.).
\\
Shaw, Susannah: _Stop motion: Craft skills for model animation{_}. Modelmaking and animation sequences created and photographed by Cat Russ and Gary Jackson. Illustrations by Tony Guy and Susannah Shaw. Amsterdam \[...\]: Elsevier Focal Press 2003, x, 206 S. 
\\
Siebert, Jan: _Flexible Figuren. Medienreflexive Komik im Zeichentrickfilm{_}. Bielefeld: Aisthesis 2005, 261 S. (Kulturen des Komischen. 2.).
Zugl.: Karlsruhe, Univ., Diss., 2003.
\\
Sigall, Martha: _Living life inside the lines: Tales from the golden age of animation{_}. Jackson, Miss.: University Press of Mississippi 2005, xvi, 245 S.
Inhalt: The beginning, 1932 -- My first day in animation -- The techniques of ink and paint -- The cast of characters -- Production terminology -- The boys of Termite Terrace -- Tales from Termite Terrace -- The ink and paint department -- The ink and paint gals -- Working conditions -- Studio romances -- Strikes -- World War II -- Departing Schlesinger's -- Graphic Films, here I come -- MGM Cartoons -- Celine Miles ink and paint -- World events of the 1950s and 1960s -- Lisberger productions -- Kurtz and friends -- Film fair -- Bill Melendez Productions -- Censorship and the black list -- Other happenings.
\\
Solomon, Charles (ed.): _The Art of the animated image: An anthology{_}. Los Angeles: American Film Institute 1987, 96 S.
\\
Solomon, Charles: _Enchanted drawings. The history of animation{_}. New York: Knopf 1989, 322 S. (A Borzoi book.).
\[New\] ed. New York; Avenel, N.J. Wings Books; Distributed by Random House Value Pub. 1994. 
\\
Sotheby's: _The Jeff Lotman collection of animation art: Sotheby's New York, part I & II April 13 - June 1, 2001._ New York: Sotheby's 2001, 43 S.
\\
Stabile, Carol A. / Harrison, Mark (eds.): _Prime-time animation{_}. London / New York, NY: Routledge 2003, xiii, 254 S.
Inhalt: Introduction: prime time animation-an overview / Carol A. Stabile and Mark Harrison - "Smarter that the average art form": animation in the television era / Paul Wells - The great saturday morning exile: scheduling cartoons on television's periphery in the 1960s / Jason Mittell - Re-drawing the bottom line / Allen Larson - The Flintstones to Futurama: networks and prime time animation / Wendy Hilton-Morrow and David T. McMahan - Synergy nirvana: brand equity, television animation, and Cartoon Network / Kevin S. Sandler - The digital turn: animation in the age of information technologies / Alice Crawford - Back to the drawing board: the family in animated television comedy / Michael V. Tueth - From Fred and Wilma to Ren and Stimpy: what makes a cartoon "prime time"? / Rebecca Farley - "We hardly watch that rude, crude show": class and taste in The Simpsons / Diane F. Alters - "Misery chick": irony, alienation and animation in MTV's Daria / Kathy M. Newman - "What are those little girls made of? The Powerpuff girls and consumer culture / Joy Van Fuqua - "Oh my god, they digitized Kenny!" : travels in the South Park cybercommunity V4.0 / Brian L. Ott.
\\
Stephenson, Ralph: _Animation in the Cinema{_}, London \[et al.\]: Zwemmer Limited \[et al.\] 1967.
Rev. and enlarged ed. London, New York: Tantivy Press; A. S. Barnes, 1973, 206 S. (The international film guide series.).
\\
Telotte, Jay P.: _The mouse machine. Disney and technology{_}. Urbana \[...\]: University of Illinois Press 2008, 221 S.
\\
Telotte, Jay P.: _Animating space. From Mickey to WALL-E{_}. Lexington, KY: University Press of Kentucky 2010, viii, 296 S.
\\
Tomasovic, Dick: _Le Corps en abîme. Sur la figurine et le cinéma d'animation{_}. Pertuis: Rouge Profond 2006, 142 S. (Raccords.).
\\
Travis, Lucinda / Hannh, Jack: _Animation{_}.  2nd ed. Los Angeles, Calif. American Film Institute, Education Services 1986, v, 44 S. (Factfile. 9.).
\\
Verny, Serge: _Les applications des procédés Panrama et omnimax au cinéma d'animation{_}. Paris, Univ., Diss., 1993, 352 Bl. 
Auch als Mikrofiche-Ausgabe erschienen.
\\
Vrielynck, Robert: _Le cinéma d'animation avant et après Walt Disney: Un panorama historique et artistique{_}. Bruxelles: Meddens 1981, 210 S.
Holl.: _De animatiefilm vóór en na Walt Disney. Een historisch-artistiek panorama{_}. Amsterdam: Letteren & Kunst \[1990\], 210 S.
\\
Wagner, Birgitt / Grausgruber, Waltraud (Hrsg.): _Tricky Women. AnimationsfilmKunst von Frauen{_}. Marburg: Schüren 2011, 189 S., 1 DVD-Video.
Die DVD enth.: _Le Chapeau/The Hat_ von Michèle Cournoyer; _Flawed_ von Andrea Dorfman; _Blind justice: some protection_ von Marjut Rimminen; _Pleasures of war_ von Ruth Lingford; _Ostorozhno, dveri otkryvajutsia!/Caution, the doors are opening_ von Anastasia Zhuravleva.
\\
Ward, Annalee: _Mouse morality. The rhetoric of Disney animated film{_}. Foreword by Clifford G. Christians. Austin, Tex.: University of Texas Press 2003, viii, 181 S.
\\
Webster, Chris: _Animation: The mechanics of motion{_}. Oxford/Burlington, MA: Elsevier Focal Press 2005, xix, 259 S., 1 CD-ROM (Focal press visual effects and animation.).
\\
Wells, Paul: _Understanding Animation{_}, New York, NY / London: Routledge 1998, x, 265 S.
Inhalt: Introduction: 'Seeing the brick' -- Thinking about animated film -- Notes towards a theory of animation -- Once upon a time: Narrative strategies -- 25 ways to start laughing -- Issues in representation -- Animation and audiences: 'My mother used to call me Thumper!'
Repr.: London \[...\]: Routledge 2000, x, 265 S.
\\
Wells, Paul: _Animation and America{_}. Edinburgh: Edinburgh University Press 2002, vi, 185 S. (BAAS paperbacks.).
Repr. 2008.
\\
Wells, Paul: _The fundamentals of animation{_}. London \[...\]: Routledge 1998, x, 265 S.
Mehrere Nachdrucke.
Repr.: Lausanne/New York: AVA / Watson-Guptill 2006, 196 S.
Auch Online.
2nd ed. London: Routledge 2007.
Inhalt: Introduction: 'Seeing the brick' -- Thinking about animated film -- Notes towards a theory of animation -- Once upon a time: Narrative strategies -- 25 ways to start laughing -- Issues in representation -- Animation and audiences: 'My mother used to call me Thumper!'
Dt.: _Animation. Prinzipien, Praxis, Perspektiven{_}. München: Stiebner 2007, 196 S.
Frz.: _Les fondamentaux de l'animation{_}. Paris: Pyramyd, DL 2010, 196 S.
\\
Wells, Paul: _Animation: Genre and Authorship{_}. London: Wallflower 2002, London \[...\]: Wallflower 2002, 149 S. (Short cuts. 13.)/(A Wallflower paperback.).
\\
Wells, Paul / Hardstaff, Johnny: _Re-Imagining Animation: Contemporary Moving Image Cultures{_}, Lausanne: AVA Academia 2008, 191 S.
Inhalt: Teaching Moving Image Culture: Pedagogical Implications -- The Politics of Practice -- Animation Re-Imagined -- 'Object React'-- From Ideas to Idioms.
\\
Wells, Paul / Quinn, Joanna / Mills, Les: _Basics animation. Drawing for animation{_}. Lausanne \[...\]: AVA Academia 2009, 191 S.(Basics Animation. 03.).
\\
Westbrock, Ingrid: _Der Werbefilm. Ein Beitrag zur Entwicklungsgeschichte des Genres vom Stummfilm zum frühen Ton- und Farbfilm{_}. Hildesheim \[...\]: Olms 1983, ii, 118 S.
\\
Whitaker, Harold / Halas, John: _Timing for animation{_}. London/New York: Focal Press 1981, 142 S.
\\
Whitehead, Mark: _Animation: The Pocket Essential{_}. Harpenden: Pocket Essentials 2004, 157 S.
\\
Wiedemann, Julius (Hrsg.): _Animation now!_ Köln \[...\]: Taschen 2004, 351 S.
\\
Willoughby, Dominique: _Le cinéma graphique. Une histoire des dessins animés. Des jouets d'optique au cinéma numérique{_}. Paris: Editions Textuel 2009, 352 S.
\\
Wilmesmeier, Holger: _Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute Film" (3. und 10. Mai 1925){_}. Münster: Lit 1994, vii, 220, (16) S. (Kunstgeschichte. 25.).
Zugl.: Heidelberg, Univ., Diss., 1993.
\\
Winder, Catherine / Dowlatabadi, Zahra: _Producing animation{_}. Boston: Focal Press 2001, xvi, 315 S. (Focal Press visual effects & animation series.).
Neuausg.: Amsterdam \[...\]: Elsevier 2011, xiv, 353 S.
\\
Wood, Aylish: _Digital Encounters._ London: Routledge 2007, vii, 188 S.
Inhalt: Re-animating the interface -- Digital effects and expanded narrative space -- Encountering the interface -- Digital games: fatal attractors -- Gallery space/ temporal zoning -- Finding ourselves at the interface.
\\
Zhuang, Yueting / Pan, Yunhe / Xiao, Jun: _A modern approach to intelligent animation: theory and practice{_}, New York, NY: Springer 2007.
Online: http://dx.doi.org/10.1007/978-3-540-73760-5.