Page History

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• Bacher, Hans: Dream worlds: Production design for animation. Oxford: Focal Press 2008, 208 S.

• Wiki MarkupBarrès, Patrick: _Le cinéma d'animation. Un cinéma d'expériences plastiques_. Paris \ [...\]: L'Harmattan 2006, 189 S. (Champs visuels.).

• Bassan, Raphaël: Cinéma et abstraction: Des croisements. Paris: Paris expérimental 2007, 36 S. (Les Cahiers de Paris expérimental. 25.).

• Beaudet, Louise: L'Art du cinema d'animation / The Art of Animated Films. Montréal: Musée des Beaux-Arts de Montréal / The Montreal Museum of Fine Arts 1982, 96 S.

• Wiki MarkupBeck, Jerry: _The animated movie guide_. Chicago, IL: Chicago Review Press 2005, xx, 348 S. (An A Cappella book.).
  Beck, Jerry, Ball, Ryan (Hrsg.): _Animation art: from pencil to pixel, the history of cartoon, anime and CGI_. \ [...\] London: Flame Tree 2004, 382 S

• Beckerman, Howard: Animation: The whole story. Mattituck, N.Y. Amereon House 2001.
  Rev. ed. New York: Allworth Press 2003, x, 309 S.
  Inhalt: An animators history of animation – The curtain rises – The studios are born – Jolson speaks, Mickey squeaks – Cartoonlands call to action – From Bullwinkle to Bart, and beyond – The story takes shape – Drawing : the bare bones – Character creation – Storytelling with animation – Direction – Layout : all the worlds a stage – The story comes to life – Animation: moments in time – Locomotion : the illusion of movement – Using color – Filming, frame by frame – The soundtrack and editing – The story goes forth – Computer animation – The business of animation.

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• Bendazzi, Giannalberto / Michelone, Guido (a cura di): Il movimento creato. Studi e documenti di ventisei saggisti sul cinema d'animazione. Torino: Pluriverso 1993, 219 S.

• Wiki MarkupBendazzi, Giannalberto / Scrimitore, Raffaella (a cura di): _Il cinema d'animazione e la nuova critica_. Milano: CUEM \ [Cooperativa Universitaria Editrice Milanese\], 2006, 203 S. (Tra spettacolo e drammaturgia.).

• Wiki MarkupBiesenbach, Klaus (a cura di): _Animations_. \ [Katalog. Texts: Giannalberto Bendazzi ...\]. Berlin: KW - Institute for Contemporary Art, Kunst-Werke Berlin 2001, 189 S.
  Catalogue, published to accompany the Exhibition Animations, P.S. 1 Contemporary Art Center, a MoMA affiliate, New York, October 14, 2001 to January 13, 2002 / Kunst-Werke, KW - Institute for Contemporary Art, Berlin, February 8, 2003 to April 6, 2003.

• Wiki MarkupBendazzi, Giannalberto / Scrimitore, Raffaella (a cura di): _Il cinema d'animazione e la nuova critica_. Supervisione grafica \ [di\] Gabriele Fantoni. Milano: CUEM 2006, 203 S. (Tra spettacolo e drammaturgia.).

• Blanc, Mel / Bashe, Philip: That's not all folks. New York, NY: Warner Books 1988, xi, 275 S.

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• Brierton, Tom: Stop-motion puppet sculpting. A manual of foam injection, build-up, and finishing techniques. Jefferson, N.C.: McFarland 2004, ix, 74 S.

• Wiki MarkupBrierton, Tom: _Stop-motion filming and performance. A guide to cameras, lighting and dramatic techniques_. Jefferson \ [...\]: McFarland 2006, 98 S.

• Buchan, Suzanne (Hrsg.): Trickraum - Spacetricks. Basel: Merian / Christoph 2005, 143 S.
  Katalog zur Ausstellung: Museum für Gestaltung Zürich, 3. August bis 13. November 2005.

• Buchan, Suzanne, Surman, David, Ward, Paul (Hrsg.): Animated 'Worlds'. Bloomington, Ind./ Eastleigh: Indiana University Press / John Libbey 2006, xiii, 207 S.unmigrated-wiki-markup

• Bulloch, Ivan: _Cartoons & animation_. \ [Texte von Ivan Bulloch, Shona Hynes, Jeffery Lewis.\] \ [Illustrators/model-makers Peter Bull, Ivan Bulloch\]. New York/London: Watts 1998, 31 S. (Art & craft skills.).
  Repr. 2002.unmigrated-wiki-markup

• Canemaker, John (ed.): _Storytelling in animation. An anthology_. (= The Art of the animated image. 2.) Los Angeles: American Film Institute 1988.
  Published in conjunction with the second Annual Walter Lantz Conference on Animation \ [held on June 11, 1988 at the Hitchcock Theater, Universal Studios\].

• Cavalier, Stephen: The world history of animation. London: Aurum Press 2011, 416 S. (Aurum Entertainment.).
  Zugl.: Berkeley: University of California Press 2011.
  Inhalt: Introduction – Brief Histories of World Animation – Pre-1900: The Origins of Animation – 1900-1927: Film Animation: The Era of Experimentation – 1928-1957: Film Animation: The Golden Age of Cartoons – 1958-1985: The Television Age – 1986-2010: The Digital Dawn – Resources – Glossary – Academy Award Winners – Animation books and websites.

• Cavallaro, Dani: Anime Intersections: Tradition and Innovation in Theme and Technique. Jefferson, NC / London: McFarland 2007, 209 S.unmigrated-wiki-markup

• Cavallaro, Dani: _Anime and memory. Aesthetic, cultural and thematic perspectives_. Jefferson, N.C. \ [...\]: McFarland 2009, vii, 193 S.

• Cholodenko, Alan (ed.): The Illusion of Life: Essays on Animation, Sydney: Power 1991, 312 S.

• Wiki MarkupCholodenko, Alan (Hrsg.): _The Illusion of Life II: More Essays on Animation_. Sydney: Power / London: Turnaround \ [distrib.\] 2007, 576 S.
  Rev. (Susan Napier: Animation beyond the Boundaries) in: _Mechademia_ 5, 2010, S. 344-345.

• Clarke, James: Animated Films. London: Virgin Books 2004, 298 S.
  Cook, Benjamin / Thomas, Gary (Hrsg.): The Animate! book: Rethinking animation, London: LUX Publications & Arts Council England 2006, 156 S., 1 DVD.

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• Dahmen-Ingenhoven, Regina: Animation. Look, Form Follows Fun. Hrsg. von Kristin Feireiss. Basel: Birkhäuser 2004, 294 S.
  Zugl.: Aachen, Techn. Hochsch., Diss., 2000: Orte der Animation, Architektur für die Freizeit am Ende unseres Jahrhunderts.unmigrated-wiki-markup
• Daniels, Dieter / Naumann, Sandra (eds.): _Audiovisuology Compendium See This Sound. An Interdisciplinary Survey of Audiovisual Culture_. \ [On the occasion of the project See This Sound, jointly realized by the Boltzmann Institute Media.Art.Research and the Lentos Art Museum Linz...\] Köln: König 2010, 452 S.unmigrated-wiki-markup

• Dederen, Eric / Verheylewegen, Serge / Moins, Philippe: _Ça bouge... Jeux optiques et films d'animation_. Tournai \ [...\]: Casterman 1987, 48 S.unmigrated-wiki-markup

• Edera, Bruno \ [...\]: _Animation, der getrickste Film und seine Möglichkeiten_. \ [Ausstellung, Kunstgewerbemuseum Zürich, 17.6.-16.9.1972.\] Texte: Buchmann, Mark / Toeplitz, Jerzy / Edera, Bruno. Zürich: Das Museum 1972, 54 S., 3 Taf. ( Wegleitung des Kunstgewerbemuseums der Stadt Zürich. 287.).

• Edera, Bruno: Full length animated feature films. London. New York: Focal Press 1977, 198 S. (The library of animation technology.).

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• Graça, Marina Estela: Entre o olhar e o gesto. Elementos para uma poética da imagem animada. São Paulo: Editorial SENAC 2006, 222 S.
  Zugl.: Lisboa, Univ. Nova, Fac. de Ciências Sociais e Humanas, Diss., 2001.

• Wiki MarkupGraillat, Ludovic (éd. par): _De "Tron" à "Matrix", réflexions sur un cinéma d'un genre nouveau_. Actes du colloque des 2 à 4 février 2004 à la Cinémathèque de Toulouse. Toulouse: SCÉRÉN-CRDP Midi-Pyrénées \ [...\] 2006, 220 S. (Documents, actes et rapports pour l'éducation.).

• Grant, John: Masters of Animation. London: Batsford 2001, 208 S.

• Wiki MarkupGreene, Joyce / Reber, Deborah (eds.): _Drawing insight. Communicating development through animation_. Penang \ [Malaysia\]: Southbound 1996, x, 118 S.

• Hahn, Don: Animation magic. A behind-the-scenes look at how an animated film is made. New York, NY: Disney Press 2000, 95 S.

• Halas, John: Film animation: A simplified approach. Paris: Unesco 1976, 92 S. (Monographs on communication technology and utilization. 2.).unmigrated-wiki-markup

• Halas, John \ [...\]: _Visual scripting_. London/New York: Focal Press 1976, 144 S. (The Library of animation technology.).

• Wiki MarkupHalas, John: _Graphics in motion. Vom Trickfilm bis zur Holografik. / From the special effects film to holographics_. \ [Hrsg. in Zsarb. mit Novum - Gebrauchsgraphik, Internat. Monatszeitschr. für Kommunikationsdesign. Dt. Übers.: Veronica Kay\] München: Bruckmann, 1981, 206 S. (Novum Press.).
  Neuausg.: New York: Van Nostrand Reinhold 1984.

• Halas, John: Masters of animation. London: BBC Books 1987, 136 S.

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• Halas, John / Manvell, Roger: Design in motion. New York: Hastings House, 1962, 160 S. (Visual communication books.).unmigrated-wiki-markup

• Halas, John / Martin-Harris, Roy: _Audio-visual techniques for industry_. \ [Prepared for United Nations Industrial Development Organization by John Halas and Roy Martin-Harris.\] New York: United Nations, 1978, ix, 84 S. (Development and transfer of technology series. 6.).

• Haller, Robert A. (ed.): First Light. New York: Anthology Film Archives 1998, 108 S.
  Online: www.roberthaller.com/firstlight/.
• Harryhausen, Ray / Dalton, Tony: A century of stop motion animation: From Méliès to Aardman. New York: Watson-Guptill 2008, 240 S.

• Wiki MarkupHein, Birgit / Herzogenrath, Wulf (Hrsg.): _Film als Film -- – 1910 bis heute: Vom Animationsfilm der zwanziger zum Filmenvironment der siebziger Jahre_, Stuttgart: Hatje 1977, 268 S.
  2. Aufl. 1978.
  Catalog of an exhibition held at the Kölnischer Kunstverein, Köln.
  Engl., leicht abweichende Ausg.: Curtis, David / Drummond, Philip / Francis, Richard (eds.): _Film as Film: Formal Experiment in Film, 1910-1975_. \ [Katalog zur Ausstellung in der Hayward Gallery South Bank, London SE1, 3 May-17 June 1979.\] London: Arts Council of Great Britain 1979, 152 S.

• Hémardinquer, Pierre: Technique des effets spéciaux pour le film et la vidéo. Nouv. éd. augm. et actualisée par Gilles Penso. Paris: Dujarric / If diff. 1993, 287 S.

• Wiki MarkupHertz, Betti-Sue (curator): _Animated painting_. \ [Texte:\]Buchan, Suzanne / Hertz, Betti-Sue / Manovich, Lev. San Diego, CA: San Diego Museum of Art 2007, 139 S., 1 CD-ROM.
  Begleitband zur Ausstellung im San Diego Museum of Art, 13.10.2007 bis 13.1.2008; .Centro Cultural Tijuana, Tijuana, Mexico, 1.10.-31.12.2008; Faulconer Gallery, Grinnell College, Grinnell, Iowa, 2.3-16.4.2009.

• Hilty, Greg / Pardo, Alona (eds.): Watch me move. The animation show. London/New York: Barbican / Merrell 2011, 223 S.
  Anläßlich einer Ausstellung in der Barbican Art Gallery, 15.6.-11.9.2011.
  Inhalt: Object, Dream and Image in Animation / Greg Hilty (10-17) – The Toolbox of Technology and Technique / Paul Wells (18-27) – Ghosts in the Machine. Experiencing Animation / Suzanne Buchan (28-39) – Apparitions – Characters – Superhumans – Fables – Fragments – Structures – Visions.

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• Joubert-Laurencin, Hervé: La lettre volante. Quatre essais sur le cinéma d'animation. Paris: Presses de la Sorbonne Nouvelle 1997, 348 S. (L�foeil vivant.).

• Wiki MarkupJovanovic, Zoran: _Karikatura, Crtani film. / Cartoon, Animated Film. / La caricature, le dessin animé_. Beograd: Muzej Primenjene Umetnosti \ [...\] 1981, 146 S.

• Kaboth, Peter: Ästhetik der Bewegung im Animationsfilm. Eine Analyse der Konventionen und Standards. Saarbrücken: Verlag Dr. Müller 2008, 60 S.

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• Laloux, René: Ces dessins qui bougent: 1892-1992 cent ans de cinéma d'animation. Paris: Dreamland 1996, 200 S. (Coll. Image par image.).

• Wiki MarkupLambry, Robert: _Le Langage des lignes_. \ [Manuel de dessin.\] Paris: Impr.-édit. de la Bonne Presse 1933, zweispaltig, 127 S.

• Laybourne, Kit: The animation book: A complete guide to animated filmmaking, from filp-books to sound cartoons. New York: Crown 1979, 272 S.
  New digital ed.: The animation book: A complete guide to animated filmmaking from flip-books to sound cartoons to 3-D animation. New York: Three Rivers Press 1998, xix, 426 S.

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• LeGrice, Malcolm: Abstract Film and beyond. London: Studio Vista Publishers 1977, 160 S.
  Zugl. Cambridge, Mass.: The MIT Press 1977.
  Paperback ed.: Cambridge, Mass.: The MIT Press 1981.unmigrated-wiki-markup

• Leslie, Esther: _Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde_. New York/London: Verso 2002, viii, 344 S, \ [8\] Taf.
  Inhalt: preclusion: experi-mental -- – zeros, dots and dashes: drawing and the european avant-garde -- – mickey mouse, utopia and walter benjamin -- – leni and walt: deutsch-amerikanische freundschaft -- eye-candy and – eye-candy and adorno's silly symphonies -- – siegfried kracauer, dumbo and class struggle -- – eisenstein shakes mickey's hand in hollywood -- – techne-colour -- – winding up: a flat ending.

• Levitan, Eli L.: Animation art in the commercial film. New York: Reinhold Pub. Corp. 1960, 128 S.

• Leyda, Jay (ed.): Eisenstein on Disney. Translated by Alan Upchurch. Calcutta: Seagull 1986, 101 S.
  Ursprünglich russ.
  Repr.: London: Methuen 1988, 101 S. (Series of Eisenstein texts. 3.).

• Wiki MarkupLo Duca \ [, Giuseppe Maria\]: _Le dessin animé. Histoire, esthétique, technique_. Paris: Prisma (impr. de Lang, Blanchong) 1948, 148 S.
  Repr.: Plan-de-la-Tour: Editions d'Aujourd'hui 1982.

• Lotman, Jeff / Smith, Jonathan: Animation art: The early years, 1911-1953. Atglen, Pa.: Schiffer 1995, 427 S. (A Schiffer book for collectors.).

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• Madsen, Roy P.: Animated film; concepts, methods, uses. New York, Interland Pub. 1969, xiv, 234 S.

• Wiki MarkupMaltin, Leonard: _Of mice and magic. A history of American animated cartoons_. New York: McGraw-Hill, 1980, ix, 470 S., \ [8\] S.
  New, updated ed. New York: Crown 1984.
  Rev. ed. New York: New American Library, 1987, ix, 485 S. (A Plume book.).
  Dt.: _Der klassische amerikanische Zeichentrickfilm. Der berühmteste Film der Welt und seine Geschichte_. Übers.: Bernd Eckhardt, Claudia Walter. München: Heyne 1982, 591 S. (Heyne-Filmbibliothek. 42.).

• Manvell, Roger: The animated Film. With pictures from the film "Animal Farm" by Halas & Batchelor. London: Sylvan Press 1954, 63 S.

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• Marko-Nord, Adam / Jurander, Claes (eds.): Om animation. Göteborg: Filmkonst 2002, 174 S. (Filmkonst. 81.).unmigrated-wiki-markup

• McCloud, Scott: _Understanding comics._ \ [Umschlagtitel: _The invisible art_.\] \ [Writing and art: Scott McCloud; ed.: Mark Martin.\] Northampton, MA: Tundra Pub. 1993, 215 S.
  Zugl.: Kitchen Sink Press 1993.
  Neuausg.: New York: HarperPerennial 1994 (A Kitchen Sink Book.).
  Dt.: _Comics richtig lesen_. \ [_Die unsichtbare Kunst_.\] Hamburg: Carlsen 2007, 224 S. (Carlsen Comics.).
  Dt. zuerst 1994.

• Miller, Frederic P. / Vandome, Agnes F. / McBrewster, John: Traditional animation. Multiplane camera, rotoscoping. live-action/ animated film, special effect computer-generated imagery, rubber hose animation, post-production, storyboard, model sheet, cinematographer. Beau Bassin: Alphascript Publishing 2009, 59 S.

• Moins, Philippe: Les Maîtres de la pâte. Préf. de Noël Godin. Paris: Dreamland 2001., 143 S. (Coll. Image par image.).

• Wiki MarkupMoscati, Massimo: _Comics und Film_. \ [Übers., bearb., u. erg. von Angelika Drexel.\] Frankfurt/Berlin: Ullstein 1988, 222 S. (Ullstein-Buch. 36560.)/( Ullstein-Sachbuch.).

• Mulack, Thomas / Giesen, Rolf: Special visual effects. Planung und Produktion. Gerlingen: Bleicher 2002, 141 S. (Produktionspraxis. 10.).

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• O'Grady, Gerald/Bruce Posner (eds.): Articulated Light: The Emergence of Abstract Film in America. N.Y.: Anthology Film Archives 1995, 15 S.
  Online: www.vasulka.org/archive/4-20a/Articulated(6013).pdf.unmigrated-wiki-markup

• Penso, Gilles: _Les effets spéciaux de plateau_. Marseille: \ [s.n.\] 1992, 212 Bl.

• Penso, Gilles: Stop-motion. L'Animation image par image dans le cinéma fantastique. Paris: Dreamland 2002, 367 S.

• Wiki MarkupPerisic, Zoran: _The animation stand_. New York: Hasting House 1976, 168 S.(Media manuals.)/(A Focal Press book.).
  Neuaufl.: _The animation stand - rostrum camera operation_. London \ [...\]: Focal Press 1980, 168 S. ( Media manuals.).
  Frz.: _La prise de vue en animation. Techniques du banc d'animation_. Trad. de l'anglais par Michel Marion. Paris: Dujarric 1985, 168 S.

• Perisic, Zoran: The focalguide to shooting animation. London/New York: Focal Press 1978, 224 S.unmigrated-wiki-markup

• Perisic, Zoran: _Special optical effects in film_. London \ [...\]: Focal Press 1980, 185 S.

• Wiki MarkupPerisic, Zoran: _Visual effects cinematography_. .Boston \ [...\]: Focal Press 2000, xi, 274 S.

• Pilling, Jayne (ed.): Women and animation. A compendium. London: British Film Institute, Exhibition & Distribution Division 1992, 144 S.

• Wiki MarkupPilling, Jayne (ed.): _A reader in animation studies_. \ [A selection of papers presented at the annual conferences of the Society of Animation Studies (SAS).\] London: Libbey 1997, xviii, 283 S.
  Inhalt: Introduction, by Jayne Pilling -- _– New technologies_ -- – What is animation and who needs to know? An essay on definitions -- – 'Reality' effects in computer animation -- – Second-order realism and post-modern aesthetics in computer animation Andy Darley -- _– Text and context: Analyses of individual films_ -- – The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' -- – Narrative strategies for resistance and protest in Eastern European animation -- – Putting themselves in the pictures: Images of women in the work of Joanna Quinn -- – An analysis of Susan Pitt's Asparagus and Joanna Priestley's All My Relations -- – Clay animation comes out of the inkwell: The Fleischer brothers and clay animation -- – Bartosch's The Idea -- – Norman McLaren and Jules Engel: Post-modernists -- – Disney, Warner Bros. and Japanese animation -- – The thief of Buena Vista: Disney's Aladdin and Orientalism -- – Animatophilia, cultural production and corporate interests: The case of Ren and Stimpy -- – Francis Bacon and Walt Disney revisited -- – Body consciousness in the films of Jan Svankmajer -- – Eisenstein and Stokes on Disney: Film animation and omnipotence -- – Towards a post-modern animated discourse: Bakhtin, intertextuality and the cartoon carnival -- – Restoring the aesthetics of early abstract films -- – Resistance and subversion in animated films of the Nazi era: The case of Hans Fischerkoesen -- – European influences on early Disney feature films -- – Norm Ferguson and the Latin American films of Walt Disney -- – Table of Contents provided by Blackwell's Book Services and R.R. Bowker. Used with permission.

• Pinteau, Pascal: Effects spéciaux. Un siècle d'histoires. Genèva: Minerva 2003, 567 S.
  Engl.: Special Effects. An Oral History. Interviews with 37 masters spanning 100 years. Transl. from the French by Laurel Hirsch. New York: Harry N. Abrams 2004, 563 S.

• Wiki MarkupPoncet, Marie Thérèse. _Dessin animé, art mondial_. \ [Paris\]: Le Cercle du livre, 1956.
  Neuausg.: _Dessin animé. Art musical et mondial: 40 ans après_. Voiron: M.-T. Poncet 1998, 246 S. \ [64\] Taf. (L'âge d'or du dessin animé.).

• Wiki MarkupPoncet, Marie-Thérèse: _L'esthétique du dessin animé_. Préface de Et. \ [Etienne\] Souriau. Paris: Nizet 1952, 279 S.

• Wiki MarkupPoncet, Marie-Thérèse: _Le dessin animé_. Monaco: Ed. du Cap 1968.
  Neuausg.: _Dessin animé. Art phénoménal. Les techniques, le matériel d'animation pour un nouvel âge d'or_. Voiron: M.-T. Poncet 1998, 253 S. \ [56\] Taf. (L'âge d'or du dessin animé.).

• Poncet, Marie-Thérèse / Réau, Louis: Etude comparative des illustrations du moyen-âge et des dessins animés. Préface de Louis Réau. Paris: Nizet 1952, 150 S.
  Zugl.: Paris, Univ., Diss., 1952.

• Wiki MarkupPoncet, Marie-Thérèse: _Dessin animé. Angleterre, Canada, USA_. Voiron: M.-T. Poncet 1998, 386 S. \ [80\] Taf. (L'âge d'or du dessin animé.).
  Poncet, Marie-Thérèse: _Dessin animé. De l'Autriche aux Balkans, les Carpates_. Voiron: M.-T. Poncet 1998, 338 S. \ [50\] Taf. (L'âge d'or du dessin animé.).

• Powell, William F. / Morgan, Chad / Foster, Walter T.: Animation project book. Laguna Hills, CA: Walter Foster Pub. 2001, 32 S., 1 DVD.
  Rev. ed. of: Cartoon animation: basic skills. Originally written and illustrated by Walter T. Foster, 1942; rev. by William F. Powell in 1996.

• Priebe, Ken A.: The art of stop-motion animation. Boston, MA: Thomson Course Technology PTR 2007, xvi, 340 S., 1 CD-ROM.unmigrated-wiki-markupCD-ROM.

• Purves, Barry: _Stop motion: Passion, process and performance_. Oxford \ [...\]: Elsevier/Focal 2008, xix, 347 S.

• Wiki MarkupPurves, Barry: _Stop-motion_. Lausanne \ [...\]: AVA Publ. 2010, 199 S. (Basics animation.. 4.).

• Rickitt, Richard: Special effects: the history and technique. London: Virgin Books 2000, 318 S.
  Zugl. New York: Billboard Books 2000.
  Nachdr.: London: Aurum Press 2007, 384 S.

• Wiki MarkupRickitt, Richard: _Designing movie creatures and characters. Behind the scenes with the movie masters_. Amsterdam \ [...\]: Elsevier 2006, 176 S.
  Über die Gestaltung phantastischer Gestalten im Special-Effects-Kino.

• Robbins, Trina: A century of women cartoonists. Northampton, Mass.: Kitchen Sink Press 1993, 183 S.

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• Robinson, Chris: Animators unearthed. A guide to the best of contemporary animation. New York: Continuum 2010, xii, 241 S.

• Wiki MarkupRoffat, Sébastien: _Animation et propagande. Les dessins animés pendant le Seconde Guerre mondiale_. Paris \ [...\]: L'Harmattan 2005, 325 S. (Champs visuels.).

• Rondolino, Gianni: Storia del cinema d'animazione. Torino: G. Einaudi 1974, xxxix, 430 S., 34 Taf. (Saggi. 534.).
  Bibliography, S. 369-398.
  2nd. ed.: Storia del cinema d'animazione: Dalla lanterna magica a Walt Disney da Tex Avery a Steven Spielberg. 2nd ed. Torino: UTET, 2003 (Collana di cinema.).unmigrated-wiki-markup

• Rubin, Susan: _Animation, the art and the industry_. Englewood Cliffs, N.J.: Prentice-Hall 1984, 158 S. (The art \ [and\] design series.)/(A Spectrum book.).

• Russett, Robert / Starr, Cecile (eds.): Experimental animation: An illustrated anthology. New York: Van Nostrand Reinhold Co. 1976, 224 S.
  Rev. ed.: Experimental animation: Origins of a new art. New York, N.Y.: Da Capo Press 1988.

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• Seeber, Guido: Der Trickfilm in seinen grundsätzlichen Möglichkeiten: Eine praktische und theoretische Darstellung der photographischen Filmtricks. Berlin: Der Lichtbildbühne, 1927, vi, 286 S. (Bücher der Praxis. 3.)/(Der praktische Kameramann. 2.).
  Faksimile-Ausg.: Der Trickfilm in seinem grundsätzlichen Möglichkeiten. Eine praktische und theoretische Darstellung der photographischen Filmtricks. Der praktische Kameramann. Frankfurt am Main: Deutsches Filmmuseum 1979, vi, 286 S. (Guido-Seeber-Werkausgabe. 1.)/(Schriftenreihe des Deutschen Filmmuseums Frankfurt am Main.).unmigrated-wiki-markup

• Shaw, Susannah: _Stop motion: Craft skills for model animation_. Modelmaking and animation sequences created and photographed by Cat Russ and Gary Jackson. Illustrations by Tony Guy and Susannah Shaw. Amsterdam \ [...\]: Elsevier Focal Press 2003, x, 206 S.

• Siebert, Jan: Flexible Figuren. Medienreflexive Komik im Zeichentrickfilm. Bielefeld: Aisthesis 2005, 261 S. (Kulturen des Komischen. 2.).
  Zugl.: Karlsruhe, Univ., Diss., 2003.

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• Solomon, Charles (ed.): The Art of the animated image: An anthology. Los Angeles: American Film Institute 1987, 96 S.

• Wiki MarkupSolomon, Charles: _Enchanted drawings. The history of animation_. New York: Knopf 1989, 322 S. (A Borzoi book.). \
  [New\] ed. New York; Avenel, N.J. Wings Books; Distributed by Random House Value Pub. 1994.

• Sotheby's: The Jeff Lotman collection of animation art: Sotheby's New York, part I & II April 13 - June 1, 2001. New York: Sotheby's 2001, 43 S.

• Stabile, Carol A. / Harrison, Mark (eds.): Prime-time animation. London / New York, NY: Routledge 2003, xiii, 254 S.
  Inhalt: Introduction: prime time animation-an overview / Carol A. Stabile and Mark Harrison – "Smarter that the average art form": animation in the television era / Paul Wells – The great saturday morning exile: scheduling cartoons on television's periphery in the 1960s / Jason Mittell – Re-drawing the bottom line / Allen Larson – The Flintstones to Futurama: networks and prime time animation / Wendy Hilton-Morrow and David T. McMahan – Synergy nirvana: brand equity, television animation, and Cartoon Network / Kevin S. Sandler – The digital turn: animation in the age of information technologies / Alice Crawford – Back to the drawing board: the family in animated television comedy / Michael V. Tueth – From Fred and Wilma to Ren and Stimpy: what makes a cartoon "prime time"? / Rebecca Farley – "We hardly watch that rude, crude show": class and taste in The Simpsons / Diane F. Alters – "Misery chick": irony, alienation and animation in MTV's Daria / Kathy M. Newman – "What are those little girls made of? The Powerpuff girls and consumer culture / Joy Van Fuqua – "Oh my god, they digitized Kenny!" : travels in the South Park cybercommunity V4.0 / Brian L. Ott.

• Wiki MarkupStephenson, Ralph: _Animation in the Cinema_, London \ [et al.\]: Zwemmer Limited \ [et al.\] 1967.
  Rev. and enlarged ed. London, New York: Tantivy Press; A. S. Barnes, 1973, 206 S. (The international film guide series.).

• Wiki MarkupTelotte, Jay P.: _The mouse machine. Disney and technology_. Urbana \ [...\]: University of Illinois Press 2008, 221 S.

• Telotte, Jay P.: Animating space. From Mickey to WALL-E. Lexington, KY: University Press of Kentucky 2010, viii, 296 S.

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• Verny, Serge: Les applications des procédés Panrama et omnimax au cinéma d'animation. Paris, Univ., Diss., 1993, 352 Bl.
  Auch als Mikrofiche-Ausgabe erschienen.

• Wiki MarkupVrielynck, Robert: _Le cinéma d'animation avant et après Walt Disney: Un panorama historique et artistique_. Bruxelles: Meddens 1981, 210 S.
  Holl.: _De animatiefilm vóór en na Walt Disney. Een historisch-artistiek panorama_. Amsterdam: Letteren & Kunst \ [1990\], 210 S.

• Wagner, Birgitt / Grausgruber, Waltraud (Hrsg.): Tricky Women. AnimationsfilmKunst von Frauen. Marburg: Schüren 2011, 189 S., 1 DVD-Video.
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